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If only life could be a little more tender and art a little more robust.

Alan Rickman

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Alan Rickman
Age: 69 †
Born: 1946
Born: February 21
Died: 2016
Died: January 14
Actor
Character Actor
Film Actor
Film Director
Film Producer
Graphic Designer
Screenwriter
Stage Actor
Television Actor
Theatrical Director
Hammersmith
London
Alan Sidney Patrick Rickman
Rickman
Tender
Tenderness
Art
Littles
Little
Life
Robust

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It's a nightmare to sit and watch a film that I'm in. There's a horrible inescapability to it.
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I do feel more myself in America. I can regress there, and they have roller-coaster parks.
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And it's a human need to be told stories. The more we're governed by idiots and have no control over our destinies, the more we need to tell stories to each other about who we are, why we are, where we come from, and what might be possible.
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It is an ancient need to be told stories. But the story needs a great storyteller. Thanks for all of it, Jo.
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With the best intentions, the job of acting can become a display of accumulated bad habits, trapped instincts and blocked energies. Working with the Alexander Technique has given me sightings of another way... Mind and body, work and life together. Real imaginative freedom.
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Three children have become adults since a phone call with Jo Rowling, containing one small clue, persuaded me that there was more to Snape than an unchanging costume, and that even though only three of the books were out at that time, she held the entire massive but delicate narrative in the surest of hands.
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There's a voice inside you that tells you what you should do.
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Maverick is a word which appeals to me more than misfit. Maverick is active, misfit is passive.
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I have a love-hate relationship with white silk.
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I'm very aware that when one is acting in the theater, you do become kind of animal about it. And you're reliant on instincts rather than tact a lot of the time.
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I mean, language fascinates me anyway, and different words have different energies and you can change the whole drive of a sentence.
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I'm still living the life where you get home and open the fridge and there's half a pot of yogurt and a half a can of flat Coca-Cola.
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I don't think it's right that everybody knows everything about me.
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England in the '60s and the '70s was everything that history has said it was phenomenally exciting, musically.
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You can act truthfully or you can lie. You can reveal things about yourself or you can hide. Therefore, the audience recognizes something about themselves or they don't -- You hope they don't leave the theatre thinking that was nice...now where's the cab?'
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I've learned, having been on a lot of sets, the good news is that by definition you are surrounded by experts. They get fired if they're not - unlike in the theatre!
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I have this feeling that if I could sort out what's on my dining room table, everything would fall into place.
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I have a photograph at home of Fred Astaire from the knees down with his feet crossed. It's kind of inspiring because it reminds me his feet were bleeding at the end of rehearsals. Yet when you watch him, all you see is freedom. It's a reminder of what the job is about in general, not just being in musicals.
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I was 7, and I remember being given a part in a play and thinking, This is exciting.
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I approach every part I'm asked to do and decide to do from exactly the same angle: who is this person, what does he want, how does he attempt to get it, and what happens to him when he doesn't get it, or if he does?
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