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I’ve known a lot of people go mad over the years, and it is more distressing than people dying. People dying is quite natural, people going mad is the complete antithesis of that.
Alan Moore
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Alan Moore
Age: 71
Born: 1953
Born: November 18
Comics Artist
Comics Writer
Novelist
Opinion Journalist
Science Fiction Writer
Writer
Curt Vile
Jill de Ray
Translucia Baboon
The Original Writer
Complete
Dying
Quite
Known
Natural
Going
Distressing
Years
Antithesis
People
Mad
More quotes by Alan Moore
If you're functional, it doesn't matter if you're mad.
Alan Moore
On the one occasion where I did try writing a screenplay, I found the rewriting just unendurable.
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There's always been this feedback between comics and films. But I think that if you take that analogy too far, if you only see comic books in terms of films, then eventually the best we can end up with is films that don't move. It would make us a poor relation to the movie industry.
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Way back in the day, when I first started and had delusions of adequacy as a cartoonist, I would listen to music. When I switched to a career as a writer, I would try to listen to music, but if the songs had lyrics they would get in the way of the words I was trying to write. So I switched to listening to purely instrumental pieces.
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I am brother to dragons, and companion to owls. My skin is black upon me, and my bones are burned with heat.
Alan Moore
With so much chaos, someone will do something stupid. And when they do, things will turn nasty.
Alan Moore
The things we do without the fear of failure and the desire for success are the purest acts we'll ever do
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Nothing is insoluble. Nothing is hopeless. Not while there's life.
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Since mankind's dawn, a handful of oppressors have accepted the responsibility over our lives that we should have accepted for ourselves. By doing so, they took our power. By doing nothing, we gave it away. We've seen where their way leads, through camps and wars, towards the slaughterhouse.
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All culture must have arisen from cult.
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There is no substitute for practical experience, and if you want to write about people you ought to put down that comic book and go out and meet some of them rather than studying the way that Stan Lee or Chris Claremont depict people.
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I don’t think people realise how vital libraries are or what a colossal danger it would be if we were to lose any more. Having had a truncated school life myself, all of my education from the age of 17 has been self-taught. I wouldn’t be the person I am today if it wasn’t for the opportunities the library gave me.
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As people get more desperate, history suggests that they're not going to rise in a mighty proletarian tidal wave and wash away their oppressors. They're gonna turn on each other.
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In a sense, the story, or poem or verse or whatever it is you're writing, you can kind of think of it as a kind of projectile. Imagine it is a kind of projectile which has been specially shaped to be aerodynamic, and that your target is the soft grey putty of the reader's brain.
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Magic and art tend to share a lot of the same language. They both talk about evocation, invocation, and conjuring.
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I suppose all fictional characters, especially in adventure or heroic fiction, at the end of the day are our dreams about ourselves. And sometimes they can be really revealing.
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For me, there is very little difference between magic and art. To me, the ultimate act of magic is to create something from nothing: It's like when the stage magician pulls the rabbit from the hat.
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If we loved Steve Aylett, really loved him in the way that he deserves, a selfless love that genuinely wanted nothing save his happiness and comfort, we'd lobotomise him.
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Growing up in the Boroughs, I thought I must be the cleverest boy in the world, an illusion that I was able to maintain until I got to the grammar school.
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No one will ever forget that night, and what it meant for this country. But I will never forget the man and what he meant to me.
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