Quote

It's all a joke! Everything anybody ever valued or struggled for... it's all a monstrous, demented gag! So why can't you see the funny side? Why aren't you laughing?

Alan Moore

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Alan Moore
Age: 70
Born: 1953
Born: November 18
Comics Artist
Comics Writer
Novelist
Opinion Journalist
Science Fiction Writer
Writer
Curt Vile
Jill de Ray
Translucia Baboon
The Original Writer
Sides
Monstrous
Funny
Joke
Ever
Killing
Everything
Jokes
Aren
Gags
Anybody
Demented
Laughing
Struggled
Side
Valued

More quotes by Alan Moore

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There is no future. There is no past. Do you see? Time is simultaneous, an intricately structured jewel that humans insist on viewing one edge at a time, when the whole design is visible in every facet.
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Why do we argue? Life's so fragile, a successful virus clinging to a speck of mud, suspended in endless nothing.
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In many ways, my entire graphic novel career was a long diversion. Originally, all I wanted to do was to be an underground cartoonist and maybe bring out a groovy underground mag.
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Remember, remember the fifth of November of gunpowder treason and plot. I know of no reason why the gun powder treason should ever be forgot.
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On the one occasion where I did try writing a screenplay, I found the rewriting just unendurable.
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As far as I can see, it's not important that we have free will, just as long as we have the illusion of free will to stop us going mad.
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The entire universe - for one thing - only exists in your perceptions. That's all you're gonna see of it. To all practical intents and purposes this is purely some kind of lightshow that's being put on in the kind of neurons in our brain. The whole of reality.
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Authority allows two roles: the torturer and the tortured. Twists people into joyless mannequins that fear and hate, while culture plunges into the abyss.
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There... Poor little things. You see them? Standing with their numbers on their blank, indifferent faces, Nuremberg in miniature, the ranks of painted wooden men... Poor dominoes. Your pretty empire took so long to build, now, with a snap of history's fingers down it goes.
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The one thing with writing stories about the rise of fascism is that if you wait long enough, you'll almost certainly be proved right. Fascism is like a hydra - you can cut off its head in the Germany of the '30s and '40s, but it'll still turn up on your back doorstep in a slightly altered guise.
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Culture is just a shambling zombie that repeats what it did in life bits of it drop off, and it doesn't appear to notice.
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I don't really think that very much is interesting about the superhero as an archetype.
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My only problem with fans is when they turn pro. For example, when all the professional writers were fired by DC in the '60s, they brought in a generation of comic book fans who would have paid to have written these stories.
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To paint comic books as childish and illiterate is lazy. A lot of comic books are very literate - unlike most films.
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American love — like coke in green glass bottles...they don't make it anymore.
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It is not the job of artists to give the audience what the audience want. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artist. It is the job of artists to give the audience what they need
Alan Moore
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I don't think you can separate a place from its history. I think a place is much more than the bricks and mortar that go into its construction. I think it's more than the accidental topography of the ground it stands on.
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Evey Hammond: Who are you? V: Who? Who is but the form following the function of what and what I am is a man in a mask. Evey Hammond: Well I can see that. V: Of course you can. I'm not questioning your powers of observation I'm merely remarking upon the paradox of asking a masked man who he is
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But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you.
Alan Moore
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The past can't hurt you anymore. Not unless you let it. They made you into a victim, Evey. They made you into a statistic. But, that's not the real you. That's not who you are inside.
Alan Moore