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I'm the king of the 20th century. I'm the boogeyman, the villian, the black sheep of the family.
Alan Moore
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Alan Moore
Age: 71
Born: 1953
Born: November 18
Comics Artist
Comics Writer
Novelist
Opinion Journalist
Science Fiction Writer
Writer
Curt Vile
Jill de Ray
Translucia Baboon
The Original Writer
Century
Family
Black
Sheep
King
Kings
More quotes by Alan Moore
They say we have we created the man to end all wars I say we have created a man to end all worlds.
Alan Moore
There's a notion I'd like to see buried: the ordinary person. Ridiculous. There is no ordinary person.
Alan Moore
I don't like to go to conventions, and I don't like to relate to people on a level of hero worship, because there's no real communication going on there.
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There has been a rather unpleasant sensibility apparent in Frank Miller's work for quite a long time.
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Everything you've ever read of mine is first-draft. This is one of the peculiarities of the comics field. By the time you're working on chapter three of your masterwork, chapter one is already in print. You can't go back and suddenly decide to make this character a woman, or have this one fall out of a window.
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If we loved Steve Aylett, really loved him in the way that he deserves, a selfless love that genuinely wanted nothing save his happiness and comfort, we'd lobotomise him.
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There are two worlds we live in: a material world, bound by the laws of physics, and the world inside our mind, which is just as important.
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The more I look at most of the art movements, it's all occultism, when you get down to it. The Surrealists were openly talking about being magicians.
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Material existence is entirely founded on a phantom realm of mind, whose nature and geography are unexplored.
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How can two people hate so much without knowing each other?
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It's all a joke! Everything anybody ever valued or struggled for... it's all a monstrous, demented gag! So why can't you see the funny side? Why aren't you laughing?
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Art is, like magic, the science of manipulating symbols, words or images to achieve changes in consciousness
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It's pretty much a fact that our entire universe is a mental construct. We don't actually deal with reality directly. We simply compose a picture of reality from what's going on in our retinas, in the timpani of our ears, and in our nerve endings.
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There's a widespread cultural barrenness across art and political culture. But there are some pockets of resistance on the extreme margins, like the techno-savvy protest movements, small press, the creator-owned comics, that seem to be getting some signs of hope for the future.
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If I have to have a past, then I prefer it to be multiple choice.
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A world grows up around me. Am I shaping it, or do its predetermined contours guide my hand?
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Right from the outset, the prevailing mindset in British comics fandom was a radical and progressive one. We were all proto-hippies, and we all thought that comics would be greatly improved if everything was a bit psychedelic like Jim Steranko.
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In a sense, the story, or poem or verse or whatever it is you're writing, you can kind of think of it as a kind of projectile. Imagine it is a kind of projectile which has been specially shaped to be aerodynamic, and that your target is the soft grey putty of the reader's brain.
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The Rudderless World is not shaped by vague metaphysical Forces. It is not God who kills the Children. Not Fate that butchers them or Destiny that feeds them to the Dogs. ... It´s us. Only us.
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I think I'm a bit like a kind of shark, that if I stop swimming, I won't be able to breathe, something like that.
Alan Moore