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Never despair. Never surrender.

Alan Moore

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Alan Moore
Age: 70
Born: 1953
Born: November 18
Comics Artist
Comics Writer
Novelist
Opinion Journalist
Science Fiction Writer
Writer
Curt Vile
Jill de Ray
Translucia Baboon
The Original Writer
Surrender
Despair
Never

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Once you realize what a joke everything is, being the Comedian is the only thing that makes sense.
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Romantic poetry had its heyday when people like Lord Byron were kicking it large. But you try and make a living as a poet today, and you'll find it's very different!
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I'm the king of the 20th century. I'm the boogeyman, the villian, the black sheep of the family.
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It has occurred to me that the superhero really only originates in America. That seems to be the only country that has produced this phenomenon.
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A lot of the critique of our growing mechanization was actually at its strongest, and arguably at its most perceptive, during the late '60s.
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I didn't really sign up to be a celebrity, I only signed up to be a writer.
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Everybody is special. Everybody. Everybody is a hero, a lover, a fool, a villain. Everybody. Everybody has their story to tell.
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I think that storytelling and creation are very close to what the center of what magic is about. I think not just for me, but for most of the cultures that have had a concept of magic, then the manipulation of language, and words, and thus of stories and fictions, has been very close to the center of it all.
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I am watching the stars, admiring their complex trajectories through space and time. I am trying to give a name to the force that set them in motion.
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Everything you've ever read of mine is first-draft. This is one of the peculiarities of the comics field. By the time you're working on chapter three of your masterwork, chapter one is already in print. You can't go back and suddenly decide to make this character a woman, or have this one fall out of a window.
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...My point is, I went crazy. When I saw what a black, awful joke the world was. I went crazy as a coot! I admit it! Why can't you?
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Certainly, my many years working in the comics industry, creating products that I do not own, has made me rather fierce on the subject of giving up rights.
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Who imprisoned me here? Who keeps me here? Who can release me? Who's controlling and constraining my life except...me?
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The only real reason that I'd have for working for Hollywood is the fantastic amounts of money involved, and that isn't enough of an incentive to really give up the degree of control that I have over my work at the moment with comics. I suppose that's probably why I don't have any designs on being a screenwriter.
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You wear a mask for so long, you forget who you were beneath it.
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There's a widespread cultural barrenness across art and political culture. But there are some pockets of resistance on the extreme margins, like the techno-savvy protest movements, small press, the creator-owned comics, that seem to be getting some signs of hope for the future.
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Love your rage, not your cage.
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I think that the Occupy movement is, in one sense, the public saying that they should be the ones to decide who's too big to fail.
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