Quote

The one thing with writing stories about the rise of fascism is that if you wait long enough, you'll almost certainly be proved right. Fascism is like a hydra - you can cut off its head in the Germany of the '30s and '40s, but it'll still turn up on your back doorstep in a slightly altered guise.

Alan Moore

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Alan Moore
Age: 71
Born: 1953
Born: November 18
Comics Artist
Comics Writer
Novelist
Opinion Journalist
Science Fiction Writer
Writer
Curt Vile
Jill de Ray
Translucia Baboon
The Original Writer
Back
Turn
Fascism
Enough
Head
Proved
Right
Almost
Slightly
Writing
Waiting
Germany
Thing
Turns
Rise
Hydra
Long
Stories
Wait
Doorstep
Like
Stills
Certainly
Guise
Still
Cutting
Altered

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Our masters have not heard the people's voice for generations and it is much, much louder than they care to remember.
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One of the advantages of travelling the world is that you get to know the world broadly. And one of the advantages of staying in one place is that you get to know the world deeply.
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I'm the king of the 20th century. I'm the boogeyman, the villian, the black sheep of the family.
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Right from the outset, the prevailing mindset in British comics fandom was a radical and progressive one. We were all proto-hippies, and we all thought that comics would be greatly improved if everything was a bit psychedelic like Jim Steranko.
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I think I'm a bit like a kind of shark, that if I stop swimming, I won't be able to breathe, something like that.
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My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.
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In many ways, my entire graphic novel career was a long diversion. Originally, all I wanted to do was to be an underground cartoonist and maybe bring out a groovy underground mag.
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War is a perversion of sex.
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If I have to have a past, then I prefer it to be multiple choice.
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I've never watched any of the adaptations of my books. I've never wanted to, and there's absolutely no chance of me doing so in the future.
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In comics the reader is in complete control of the experience. They can read it at their own pace, and if there's a piece of dialogue that seems to echo something a few pages back, they can flip back and check it out, whereas the audience for a film is being dragged through the experience at the speed of 24 frames per second.
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I’ve known a lot of people go mad over the years, and it is more distressing than people dying. People dying is quite natural, people going mad is the complete antithesis of that.
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I'm dependent on writing for a living, so really it's to my advantage to understand how the creative process works. One of the problems is, when you start to do that, in effect you're going to have to step off the edge of science and rationality.
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It seems that every movie is a remake of something that was better when it was first released in a foreign language, as a 1960s TV show, or even as a comic book. Now you’ve got theme park rides as the source material of movies. The only things left are breakfast cereal mascots. In our lifetime, we will see Johnny Depp playing Captain Crunch.
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Since mankind's dawn, a handful of oppressors have accepted the responsibility over our lives that we should have accepted for ourselves. By doing so, they took our power. By doing nothing, we gave it away. We've seen where their way leads, through camps and wars, towards the slaughterhouse.
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To me, all creativity is magic. Ideas start out in the empty void of your head - and they end up as a material thing, like a book you can hold in your hand. That is the magical process. It's an alchemical thing. Yes, we do get the gold out of it but that's not the most important thing. It's the work itself.
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There is no coincidence. Only the illusion of coincidence.
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It seems strange that my life should end in such a terrible place, but for three years I had roses, and apologized to no one.
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The one place gods inarguably exist is in the human mind.
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