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I'm very distanced from the comics industry. I love the comics medium, but I have no time for the industry.

Alan Moore

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Alan Moore
Age: 70
Born: 1953
Born: November 18
Comics Artist
Comics Writer
Novelist
Opinion Journalist
Science Fiction Writer
Writer
Curt Vile
Jill de Ray
Translucia Baboon
The Original Writer
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More quotes by Alan Moore

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War is a perversion of sex.
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All we ever see of stars are their old photographs.
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If we loved Steve Aylett, really loved him in the way that he deserves, a selfless love that genuinely wanted nothing save his happiness and comfort, we'd lobotomise him.
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In a sense, the story, or poem or verse or whatever it is you're writing, you can kind of think of it as a kind of projectile. Imagine it is a kind of projectile which has been specially shaped to be aerodynamic, and that your target is the soft grey putty of the reader's brain.
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Technology is always a two-edged sword. It will bring in many benefits, but also many disasters.
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You've got to be able to pay your bills, otherwise you're not going to sleep at night. But beyond that, the world inside my head has always been a far richer place than the world outside it. I suppose that a lot of my art and writing are meant to bring the two together.
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Artists use lies to tell the truth. Yes, I created a lie. But because you believed it, you found something true about yourself.
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Way back in the day, when I first started and had delusions of adequacy as a cartoonist, I would listen to music. When I switched to a career as a writer, I would try to listen to music, but if the songs had lyrics they would get in the way of the words I was trying to write. So I switched to listening to purely instrumental pieces.
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I don't think there's really any difference between art - or writing, or music - and magic. And I particularly draw the link between magic and writing. I think that they are profoundly connected.
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Roses are red Violets are blue Everything's possible Nothing is true.
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That pompous phrase (graphic novel) was thought up by some idiot in the marketing department of DC. I prefer to call them Big Expensive Comics.
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In an era of stress and anxiety, when the present seems unstable and the future unlikely, the natural response is to retreat and withdraw from reality, taking recourse either in fantasies of the future or in modified visions of a half-imagined past.
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Consciousness, unprovable by scientific standards, is forever, then, the impossible phantom in the predictable biologic machine, and your every thought a genuine supernatural event. Your every thought is a ghost, dancing.
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You see, there's the way things seemed and then there's the way things were and one is so often the total reverse of the other.
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The announcement that there is a League of Extraordinary Gentlemen television series hasn't caused me to drastically alter my opinions. Now it seems they are recycling things that have already proven not to work.
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Ideas, unlike solid structures, do not perish. They remain immortal, immaterial and everywhere, like all Divine things. Ideas are a golden, savage landscape that we wander unaware, without a map. Be careful: in the last analysis, reality may be exactly what we think it is.
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I increasingly fear that nothing good can come of almost any adaptation, and obviously that's sweeping. There are a couple of adaptations that are perhaps as good or better than the original work. But the vast majority of them are pointless.
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It wasn't so much all the sex that robbed me of my moral bearings, but all the narcotics. I must say, there's something about opium that goes very well with lesbianism.
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It seems that every movie is a remake of something that was better when it was first released in a foreign language, as a 1960s TV show, or even as a comic book. Now you’ve got theme park rides as the source material of movies. The only things left are breakfast cereal mascots. In our lifetime, we will see Johnny Depp playing Captain Crunch.
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I don't really think that very much is interesting about the superhero as an archetype.
Alan Moore