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I don't really think that very much is interesting about the superhero as an archetype.

Alan Moore

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Alan Moore
Age: 71
Born: 1953
Born: November 18
Comics Artist
Comics Writer
Novelist
Opinion Journalist
Science Fiction Writer
Writer
Curt Vile
Jill de Ray
Translucia Baboon
The Original Writer
Thinking
Archetype
Superhero
Interesting
Much
Really
Think

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Our environments shape the way we see ourselves. If you have been condemned to live in an area that is pretty evidently a rat-run, then sooner or later you're gonna come to the conclusion that you're a rat.
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One of the advantages of travelling the world is that you get to know the world broadly. And one of the advantages of staying in one place is that you get to know the world deeply.
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We gaze continually at the world and it grows dull in our perceptions. Yet seen from another's vantage point, as if new, it may still take the breath away.
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The past can't hurt you anymore, not unless you let it.
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There... Poor little things. You see them? Standing with their numbers on their blank, indifferent faces, Nuremberg in miniature, the ranks of painted wooden men... Poor dominoes. Your pretty empire took so long to build, now, with a snap of history's fingers down it goes.
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I don’t think people realise how vital libraries are or what a colossal danger it would be if we were to lose any more. Having had a truncated school life myself, all of my education from the age of 17 has been self-taught. I wouldn’t be the person I am today if it wasn’t for the opportunities the library gave me.
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It is not the job of artists to give the audience what the audience want. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artist. It is the job of artists to give the audience what they need
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Everybody is special. Everybody. Everybody is a hero, a lover, a fool, a villain. Everybody. Everybody has their story to tell.
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If we loved Steve Aylett, really loved him in the way that he deserves, a selfless love that genuinely wanted nothing save his happiness and comfort, we'd lobotomise him.
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Through my blue fingers, pink grains are falling, haphazard, random, a disorganized stream of silicone that seems pregnant with the possibility of every conceivable shape… But this is illusion. Things have their shape in time, not space alone. Some marble blocks have statues within them, embedded in their future.
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...My point is, I went crazy. When I saw what a black, awful joke the world was. I went crazy as a coot! I admit it! Why can't you?
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For me, there is very little difference between magic and art. To me, the ultimate act of magic is to create something from nothing: It's like when the stage magician pulls the rabbit from the hat.
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I suppose all fictional characters, especially in adventure or heroic fiction, at the end of the day are our dreams about ourselves. And sometimes they can be really revealing.
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It is the oldest ironies that are still the most satisfying: man, when preparing for bloody war, will orate loudly and most eloquently in the name of peace.
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There's always been this feedback between comics and films. But I think that if you take that analogy too far, if you only see comic books in terms of films, then eventually the best we can end up with is films that don't move. It would make us a poor relation to the movie industry.
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I don't think any of us grew up into the world we were hoping for or expecting.
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The cold, suffocating dark goes on forever and we are alone. Live our lives, lacking anything better to do. Devise reason later.
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I shall die here. Every last inch of me shall perish. Except one. An inch. It's small and it's fragile and it's the only thing in the world worth having. we must never lose it, or sell it, or give it away. We must never let them take it from us.
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Art makes us feel less alone. It makes us think: somebody else has thought this, somebody else has had these feelings.
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It's early days. A few skeletons are bound to keep jumping out of the closet.
Alan Moore