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Famously, there's not really anywhere to go after nihilism. It's not progressing toward anything, it's a statement of outrage, however brilliant.
Alan Moore
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Alan Moore
Age: 70
Born: 1953
Born: November 18
Comics Artist
Comics Writer
Novelist
Opinion Journalist
Science Fiction Writer
Writer
Curt Vile
Jill de Ray
Translucia Baboon
The Original Writer
However
Progressing
Progress
Nihilism
Anything
Outrage
Really
Statement
Statements
Anywhere
Brilliant
Toward
Famously
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Despite the constant clamor for attention from the modern world, I do believe we need to procure a psychological space for ourselves. I apparently know some people who try to achieve this by logging off or going without their Twitter or Facebook for a limited period.
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Noise is relative to the silence preceeding it. The more absolute the hush, the more shocking the thunderclap. Our masters have not heard the peoples voice for generations, Evey and it is much, much louder than they care to remember.
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We gaze continually at the world and it grows dull in our perceptions. Yet seen from another's vantage point, as if new, it may still take the breath away.
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American love — like coke in green glass bottles...they don't make it anymore.
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The one thing with writing stories about the rise of fascism is that if you wait long enough, you'll almost certainly be proved right. Fascism is like a hydra - you can cut off its head in the Germany of the '30s and '40s, but it'll still turn up on your back doorstep in a slightly altered guise.
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Perhaps this is the purpose of all art, all writing, on the murders, fiction and non-fiction: Simply to participate.
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There's no such thing as quitting. Just sometimes there's a longer pause between relapses.
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In comics the reader is in complete control of the experience. They can read it at their own pace, and if there's a piece of dialogue that seems to echo something a few pages back, they can flip back and check it out, whereas the audience for a film is being dragged through the experience at the speed of 24 frames per second.
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On the one occasion where I did try writing a screenplay, I found the rewriting just unendurable.
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If I have to have a past, then I prefer it to be multiple choice.
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I felt, if I'm going to react I might as well over react.
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There's a widespread cultural barrenness across art and political culture. But there are some pockets of resistance on the extreme margins, like the techno-savvy protest movements, small press, the creator-owned comics, that seem to be getting some signs of hope for the future.
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It's cold and it's mean spirited and I don't like it here anymore.
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Nothing is insoluble. Nothing is hopeless. Not while there's life.
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Every film is a remake of a previous film, or a remake of a television series that everyone loved in the 1960s, or a remake of a television series that everyone hated in the 1960s. Or it's a theme park ride it will soon come to breakfast cereal mascots.
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I didn't really sign up to be a celebrity, I only signed up to be a writer.
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