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I think that the Occupy movement is, in one sense, the public saying that they should be the ones to decide who's too big to fail.

Alan Moore

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Alan Moore
Age: 71
Born: 1953
Born: November 18
Comics Artist
Comics Writer
Novelist
Opinion Journalist
Science Fiction Writer
Writer
Curt Vile
Jill de Ray
Translucia Baboon
The Original Writer
Sense
Decide
Think
Fail
Thinking
Failing
Ones
Movement
Saying
Public
Bigs
Occupy

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Ideas are bulletproof.
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Rather than being able to have a healthy relationship with our own sexual imagination, we're driven into some dark corners by shame and embarrassment and guilt, and those dark corners breed all sorts of monsters.
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I suppose all fictional characters, especially in adventure or heroic fiction, at the end of the day are our dreams about ourselves. And sometimes they can be really revealing.
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I've never really cared much about money. I've got enough to live on. And it's not like I live in a fancy house, it's not like I own a car, and it's not like I ever go on holiday.
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There's no such thing as quitting. Just sometimes there's a longer pause between relapses.
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A lot of the critique of our growing mechanization was actually at its strongest, and arguably at its most perceptive, during the late '60s.
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As people get more desperate, history suggests that they're not going to rise in a mighty proletarian tidal wave and wash away their oppressors. They're gonna turn on each other.
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Does the human heart know chasms so abysmal?
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I'm remote from most technology to the point that I'm kind of Amish.
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Evey Hammond: Who are you? V: Who? Who is but the form following the function of what and what I am is a man in a mask. Evey Hammond: Well I can see that. V: Of course you can. I'm not questioning your powers of observation I'm merely remarking upon the paradox of asking a masked man who he is
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Nothing's that simple, not even things that are simply awful.
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In the human mind, the number of possible connections that can be made between neurons greatly exceeds the number of atoms in the universe.
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If you're functional, it doesn't matter if you're mad.
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It may be true that the only reason the comic book industry now exists is for this purpose, to create characters for movies, board games and other types of merchandise.
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Since mankind's dawn, a handful of oppressors have accepted the responsibility over our lives that we should have accepted for ourselves. By doing so, they took our power. By doing nothing, we gave it away. We've seen where their way leads, through camps and wars, towards the slaughterhouse.
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Everything you've ever read of mine is first-draft. This is one of the peculiarities of the comics field. By the time you're working on chapter three of your masterwork, chapter one is already in print. You can't go back and suddenly decide to make this character a woman, or have this one fall out of a window.
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I've come to think that the universe is a four-dimensional site in which nothing is changing and nothing is moving. The only thing that is moving along the time axis is our consciousness. The past is still there, the future has always been here. Every moment that has existed or will ever exist is all part of this giant hyper-moment of space-time.
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There is no coincidence. Only the illusion of coincidence.
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Madness is the emergency exit. You can just step outside, and close the door on all those dreadful things that happened. Forever.
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War is a perversion of sex.
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