I keep drawing the trees, the rocks, the river, I'm still learning how to see them I'm still discovering how to render their forms. I will spend a lifetime doing that. Maybe someday I'll get it right.

When I draw something, I try to build some kind of history into it. Drawing an object that has a certain amount of wear and tear or rust or a tree that is damaged. I love trying to render not just the object, but what it has been through.

I'm drawn to characters who bear similarities to the protagonists in myths and legends. (...)

To draw a tree, to pay such close attention to every aspect of a tree, is an act of reverence not only toward the tree, and toward the earth itself, but also our human connection to it. This is one of the magical things about drawing - it gives us almost visionary moments of connectedness.

I spend as much time as I can sketching from nature, Dartmoor contains such a rich variety of landscape, as many boulders, foaming rivers and twisted trees as my heart could ever desire. . . . When I look into a river, I feel I could spend a whole lifetime just painting that river.