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You can't make accommodations in crucial situations and be heroic.
Alan Furst
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Alan Furst
Age: 83
Born: 1941
Born: February 20
Author
Journalist
Novelist
Writer
New York City
New York
Accommodations
Heroic
Crucial
Situations
Situation
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More quotes by Alan Furst
I write what I call 'novels of consolation' for people who are bright and sophisticated.
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One is what one has the nerve to pretend to be.
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The printing presses of the state treasuries cranked out reams of paper currency- showing wise kinds and blissful martyrs- while bankers wept and peasants starved.
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My novels are about the European reality, not about chases. You want chases, get somebody else's books.
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Whether you like it or not, Paris is the beating heart of Western civilisation. It's where it all began and ended.
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Wherever God has planted you, you must know how to flower - translated from a French saying
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If you're a writer, you're always working.
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Live today, for tomorrow we die.
Alan Furst
I'm not really a mass market writer.
Alan Furst
You write a lot of books you hope you get better.
Alan Furst
I don't really write plots. I use history as the engine that drives everything.
Alan Furst
It takes me three months of research and nine months of work to produce a book. When I start writing, I do two pages a day if I'm gonna do 320, that's 160 days.
Alan Furst
I invented the historical spy novel.
Alan Furst
I'm basically an Upper West Side Jewish writer.
Alan Furst
The best Paris I know now is in my head.
Alan Furst
I have a very serious censorship office inside my head it censors things that I could tell you that you would never forget, and I don't want to be the person to stick that in your brain.
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Politicians were like talking dogs in a circus: the fact that they existed was uncommonly interesting, but no sane person would actually believe what they said
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I don't inflict horrors on readers.
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And, with much of Europe occupied by Nazi Germany, and Mussolini's armies in Albania, on the Greek frontier, one wasn't sure what came next. So, don't trust the telephone. Or the newspapers. Or the radio. Or tomorrow.
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I don't just want my books to be about the '30s and '40s. I want them to read as if they had been written then. I think of them as '40s novels, written in the conservative narrative past.
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