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I think American actors are much more intimidated by Shakespeare.
Alan Cumming
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Alan Cumming
Age: 59
Born: 1965
Born: January 27
Actor
Character Actor
Comedian
Composer
Film Actor
Film Director
Film Producer
Lgbtiq+ Rights Activist
Screenwriter
Stage Actor
Intimidated
Shakespeare
American
Actors
Much
Think
Thinking
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Performing a one-man Macbeth feels like the greatest challenge.
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My mum always told me I was precious, while my dad always told me I was worthless. I think that's a good grounding for a balanced life.
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With Urban Secrets, I just really liked the idea of wandering around chatting to people.
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It's interesting, for me sappy means sentimental and something that gets you in your heart, gets you emotional. That's what I mean. Also, of course, it means that I'm slightly setting up the audience that there's a bit of fun involved, as well.
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I was horrified when Richard Chamberlain and Rupert Everett said gay actors should stay in the closet. They were saying to people that they should live a lie and not be liberated, to live in fear of being found out.
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For example, Americans seem reluctant to take on Shakespeare because you don't think you're very good at it - which is rubbish. You're missing out here.
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Most people will never know anything beyond what they see with their own two eyes.
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The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story's going to end and how it's going to go. But on television nobody knows what's going to happen, even the writers.
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Sometimes people do you a favour when they drop out of your life.
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I usually can find a way to do a character to make it real and work. But sometimes it's a struggle sustaining that, because there's such a level of personal involvement and personal, physical, and emotional distraughtness.
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I was so scared of going back to the theatre after Hamlet. I didn't know if I'd do a play again because I was afraid of the power of it.
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I like working on things that are very different and that involve different disguises.
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When you're on TV, you come into people's homes. In theater and film, they go to you - to the temple of the cinema or theater. And it's very different.
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Some things are just really difficult to do. That's what I find hard. I usually can find a way to do a character to make it real and work. But sometimes it's a struggle sustaining that, because there's such a level of personal involvement and personal, physical, and emotional distraughtness.
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I don't feel I'm a compulsive person. I multitask. I'm really well-organised, and I have lots of people to help me.
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I think directing in a team is a really good idea because it stops the cult of the director as God straight away, and also you're discussing things on set so it opens it out to everyone and it becomes a totally collaborative thing. And you have someone who supports you when you're feeling a bit insecure.
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I'm Scottish first, and it's odd to hear that I'm a Scottish-American.
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Nowadays people don't know how to handle it if all the ends aren't tied up and they're not told what to think in films. And if they're challenged, they think it's something wrong with the film.
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I think people deny themselves by putting themselves into categories.
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