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Sometimes people get really sniffy about the films you choose if you've done more dramatic projects or you're classically trained.

Alan Cumming

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Alan Cumming
Age: 59
Born: 1965
Born: January 27
Actor
Character Actor
Comedian
Composer
Film Actor
Film Director
Film Producer
Lgbtiq+ Rights Activist
Screenwriter
Stage Actor
Films
Choose
Film
Done
Sometimes
Classically
Really
Trained
People
Dramatic
Projects

More quotes by Alan Cumming

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Performing a one-man Macbeth feels like the greatest challenge.
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Pantomime is a big thing in the cultural calendar of my country, you know. So subtlety's not my forte.
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My feeling about work is it's much more about the experience of doing it than the end product. Sometimes things that are really great and make lots of money are miserable to make, and vice versa.
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I started to itch to do a play again and 'Macbeth' came to the surface in my mind. I never thought I would do it in a conventional way. A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn't interest me.
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You'll see Dame Judi Dench in a Bond film, in Shakespeare and then starring in her own sitcom. You never see that here with Meryl Streep.
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Sometimes people do you a favour when they drop out of your life.
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Some things are just really difficult to do. That's what I find hard. I usually can find a way to do a character to make it real and work. But sometimes it's a struggle sustaining that, because there's such a level of personal involvement and personal, physical, and emotional distraughtness.
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If you are a cabaret artist and you are mostly singing other people's songs, you're asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it's a song they know very well.
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It's exciting to be with really, really good people. Some people make you feel like you've got to up your game. Working with good people is always good.
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In my first year at drama school, I did this kids' show called 'Let's See.
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Nowadays people don't know how to handle it if all the ends aren't tied up and they're not told what to think in films. And if they're challenged, they think it's something wrong with the film.
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It's actually quite a good ethos for life: go into the unknown with truth, commitment, and openness and mostly you'll be okay.
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My mum always told me I was precious, while my dad always told me I was worthless. I think that's a good grounding for a balanced life.
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I love a film where I get squished by two dumpsters or I fly through the air.
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Kids are more genuine. When they come up and want to talk to you, they don't have an agenda. It's more endearing and less piercing to your aura.
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When there's an adult person who's scaring you, you grow up pretty quickly.
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With Urban Secrets, I just really liked the idea of wandering around chatting to people.
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It's about how you exist as a person in the world, and the idea that your work is more important than you as a person is a horrible, horrible message. I always think about a little gay boy in Wisconsin or a little lesbian in Arkansas seeing someone like me, and if I cannot be open in my life, how on earth can they?
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The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story's going to end and how it's going to go. But on television nobody knows what's going to happen, even the writers.
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So the experts think we could have an AIDS-free generation in Africa by 2015, even if the mothers are positive.
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