Quote

I started to itch to do a play again and 'Macbeth' came to the surface in my mind. I never thought I would do it in a conventional way. A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn't interest me.

Alan Cumming

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Alan Cumming
Age: 59
Born: 1965
Born: January 27
Actor
Character Actor
Comedian
Composer
Film Actor
Film Director
Film Producer
Lgbtiq+ Rights Activist
Screenwriter
Stage Actor
Interest
Fresh
Doesn
Surface
Thought
Battle
Play
Arms
Mind
Coming
Macbeth
Way
Started
Sweaty
Never
Blood
Itch
Would
Came
Conventional

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Most people will never know anything beyond what they see with their own two eyes.
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When there's an adult person who's scaring you, you grow up pretty quickly.
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I usually can find a way to do a character to make it real and work. But sometimes it's a struggle sustaining that, because there's such a level of personal involvement and personal, physical, and emotional distraughtness.
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I like the tragedies way more than the comedies because they're so universal.
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Performing a one-man Macbeth feels like the greatest challenge.
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I come more to Scotland than I ever used to, so I feel more connected to it, more part of the zeitgeist. You know when you realize you have a choice and I'm choosing my homeland. It's funny: when you get older these things creep up to you.
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It is not hard to feel like an outsider. I think we have all felt like that at one time or another.
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Romeo is the most misunderstood character in literature, I think. He's hardcore to play because he's displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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In my first year at drama school, I did this kids' show called 'Let's See.
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When you're on TV, you come into people's homes. In theater and film, they go to you - to the temple of the cinema or theater. And it's very different.
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Actors aren't stupid, mostly, and if there's a sensibility and an aesthetic that a director's going for, if you're aware of that too, you can do things to help that.
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It's really rare for film directors to be that interested in things other than themselves.
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The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story's going to end and how it's going to go. But on television nobody knows what's going to happen, even the writers.
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You'll see Dame Judi Dench in a Bond film, in Shakespeare and then starring in her own sitcom. You never see that here with Meryl Streep.
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Pantomime is a big thing in the cultural calendar of my country, you know. So subtlety's not my forte.
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With Urban Secrets, I just really liked the idea of wandering around chatting to people.
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I'm not a fan of Twitter.
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It's about how you exist as a person in the world, and the idea that your work is more important than you as a person is a horrible, horrible message. I always think about a little gay boy in Wisconsin or a little lesbian in Arkansas seeing someone like me, and if I cannot be open in my life, how on earth can they?
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Actually I like working kind of fast, because if you got it, why bother doing it over and over?
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Nowadays people don't know how to handle it if all the ends aren't tied up and they're not told what to think in films. And if they're challenged, they think it's something wrong with the film.
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