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Loneliness is everything it's cracked up to be.

Alan Alda

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Alan Alda
Age: 88
Born: 1936
Born: January 28
Actor
Film Actor
Film Director
Podcaster
Screenwriter
Television Actor
Television Director
Television Presenter
Writer
Manhattan borough
New York City
Alphonso Joseph D’Abruzzo
Cracked
Loneliness
Everything

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When does she do all this thinking? We're together all the time but she thinks deeply about things and with feeling and she can remember the facts. We've been married 48 years.
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It isn't necessary to be rich and famous to be happy. It's only necessary to be rich.
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Testosterone Poisoning: … Until now it has been thought that the level of testosterone in men is normal simply because they have it. But if you consider how abnormal their behavior is, then you are led to the hypothesis that almost all men are suffering from ‘testosterone poisoning.’
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When people are laughing, they're generally not killing one another.
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I had never really wanted to be famous. Everyone is supposed to want to be rich and famous, but as a boy I never knew what rich was, and the first view I had of famous made me leery.
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Laugh at yourself, but don't ever aim your doubt at yourself. Be bold. When you embark for strange places, don't leave any of yourself safely on shore. Have the nerve to go into unexplored territory.
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In 2003, I almost died of an intestinal blockage when I was on a mountain in Chile, filming a segment for 'Scientific American Frontiers.'
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It's too bad I'm not as wonderful a person as people say I am, because the world could use a few people like that.
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I used to be a Catholic. I left because I object to conversion by concussion. If you don't agree with what they teach, you get clobbered over the head until you do. All that does is change the shape of the head.
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I'm in this wonderful position where I can do what interests me. And whatever comes along that interests me, I do. The rest of the time I bother scientists about communicating.
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I don't really worry about the size of the part much any more. It's nice to have more time to work on the character, and to have big scenes to play. But if there's something playable there, and if it's interesting to do, then that's nice.
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Jean Paul Sartre says in No Exit that hell is other people. Well, our task in life is to make it heaven. Or at least earth.
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I try to find out what there is in the character that in a way, you can't put into words. If I could put it into words, then it wouldn't be a performance. And if I do put it into words, as I play it, I start to get boxed in by those words.
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Really top-notch directors, I've often worked with them just to see how they work.
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I wouldn't live in California. All that sun makes you sterile.
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I've sat looking down into a volcano that could blow at any moment I've helped catch a shark and several rattlesnakes I let a tarantula walk across my hand, and I ate rat soup.
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If you don't listen deeply, the connection won't take place.... [You have to be] willing to be changed by the person you're listening to, where you're not just waiting for a pause so you can say your thing, but you're actually letting them have an effect on you if they can.
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Working on The West Wing was similar in many ways to my experience on M*A*S*H, because you had people willing to work late at night to get it just right.
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Everybody's on their toes and focused on what we're about to do, and then there's this moment where you relax because you see that everybody is there to do the best that they can. Everyone opens up to one another right away. That's a terrific thing. I love that about actors. They know how personal this job is.
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People who laugh together generally don't kill each other.
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