Quote

The very act of drawing an object, however badly, swiftly takes the drawer from a woolly sense of what the object looks like to a precise awareness of its component parts and particularities.

Alain de Botton

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Alain de Botton
Age: 54
Born: 1969
Born: December 20
Journalist
Philosopher
Publisher
Writer
City of Zurich
Alain De Botton
Awareness
Component
Objects
Components
Takes
Precise
Sense
Badly
Looks
Drawing
Woolly
Like
Object
Drawer
Parts
Swiftly
However
Drawers

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If one felt successful, there'd be so little incentive to be successful.
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Don't despair: despair suggests you are in total control and know what is coming. You don't - surrender to events with hope.
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A simple problem of arithmetic: there are far more ambitions than there are grand destinies available.
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Journeys are the midwives of thought. Few places are more conducive to internal conversations than moving planes, ships or trains.
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The only people we can think of as normal are those we don't yet know very well.
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Not everyone is worth listening to.
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It's as though either you accept [religious] doctrine and then you can have all the nice stuff, or you reject the doctrine and you're living in some kind of spiritual wasteland under the guidance of CNN and Walmart.
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I feel that the great challenge of our time is the communication of ideas.
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Forgiveness requires a sense that bad behaviour is a sign of suffering rather than malice.
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The challenge of modern relationships: how to prove more interesting than the other's smartphone.
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It is perhaps when our lives are at their most problematic that we are likely to be most receptive to beautiful things.
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Man seems merely dust postponed: the sublime as an encounter - pleasurable, intoxicating, even - with human weakness in the face of strength, age and size of the universe.
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Our disrespect for thinking: someone sitting in a chair, gazing out of a window blankly, always described as 'doing nothing'.
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Taking architecture seriously therefore makes some singular and strenuous demands upon us...It means conceding that we are inconveniently vulnerable to the colour of our wallpaper and that our sense of purpose may be derailed by an unfortunate bedspread
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The greatest works of art speak to us without knowing us.
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After 40 (old age for most of man's history), one should strive to be more or less packed and ready to go were the end call to come.
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The problem isn't so much finding good ideas (there is no shortage) as embedding the ones we have into everyday practice.
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The price we have paid for expecting to be so much more than our ancestors is a perpetual anxiety that we are far from being all we might be.
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The true nature of bureaucracy may be nowhere more obvious to the observer than in a developing country, for only there will it still be made manifest by the full complement of documents, files, veneered desks and cabinets - which convey the strict and inverse relationship between productivity and paperwork.
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Bad architecture is in the end as much a failure of psychology as of design. It is an example expressed through materials of the same tendencies which in other domains will lead us to marry the wrong people, choose inappropriate jobs and book unsuccessful holidays: the tendency not to understand who we are and what will satisfy us.
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