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As victims of hurt, we frequently don't bring up what ails us, because so many wounds look absurd in the light of day.
Alain de Botton
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Alain de Botton
Age: 54
Born: 1969
Born: December 20
Journalist
Philosopher
Publisher
Writer
City of Zurich
Alain De Botton
Light
Ails
Look
Victims
Looks
Frequently
Many
Absurd
Wounds
Victim
Bring
Hurt
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Forcing people to eat together is an effective way to promote tolerance.
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...if the beginnings of love and amorous politics are equally rosy, then the ends may be equally bloody.
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What we find exotic abroad may be what we hunger for in vain at home.
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Literature deeply stands opposed to the dominant value system-the one that rewards money and power. Writers are on the other side-they make us sympathetic to ideas and feelings that are of deep importance but can’t afford airtime in a commercialized, status-consciou s, and cynical world.
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It was no longer her absence that wounded me, but my growing indifference to it. Forgetting, however calming, was also a reminder of infidelity to what I had at one time held so dear.
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Perhaps it is true that we do not really exist until there is someone there to see us existing, we cannot properly speak until there is someone who can understand what we are saying in essence, we are not wholly alive until we are loved.
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As adults, we try to develop the character traits that would have rescued our parents.
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In their different ways, art and philosophy help us, in Schopenhauer's words, to turn pain into knowledge.
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Objectively good spaces to work rarely end up being so in their faultlessness, quiet and well-equipped studios have a habit of rendering the fear of failure overwhelming. Original thoughts are like shy animals. We sometimes have to look the other way - towards a busy street or terminal - before they run out of their burrows.
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It's hard loving those who don't much like themselves: If you're so great, why would you think I'm so great.
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So many complaints boil down to the belly ache of the fragile, mortal, ignored ego in a vast and indifferent universe.
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Bad architecture is in the end as much a failure of psychology as of design. It is an example expressed through materials of the same tendencies which in other domains will lead us to marry the wrong people, choose inappropriate jobs and book unsuccessful holidays: the tendency not to understand who we are and what will satisfy us.
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The price we have paid for expecting to be so much more than our ancestors is a perpetual anxiety that we are far from being all we might be.
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The attentions of others matter to us because we are afflicted by a congenital uncertainty as to our own value, as a result of which affliction we tend to allow others' appraisals to play a determining role in how we see ourselves. Our sense of identity is held captive by the judgements of those we live among.
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We are certainly influenced by role models, and if we are surrounded by images of beautiful rich people, we will start to think that to be beautiful and rich is very important - just as in the Middle Ages, people were surrounded by images of religious piety.
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When I see someone like Richard Dawkins, I see my father. I grew up with that. I'm basically the child of Richard Dawkins.
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Intuition is unconscious accumulated experience informing judgement in real time.
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Being incomprehensible offers unparalleled protection against having nothing to say...but writing with simplicity requires courage, for there is a danger that one will be overlooked, dismissed as simpleminded by those with a tenacious belief that the impassable prose is a hallmark of intelligence.
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There are selections so acute that they come to define a place, with the result that we can no longer travel through that landscape without being reminded of what a great artist noticed there.
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The mind may be reluctant to think properly when thinking is all it is supposed to do the task can be as paralysing as having to tell a joke or mimic an accent on demand.
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