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A danger of travel is that we see things at the wrong time, before we have had a chance to build up the necessary receptivity and when new information is therefore as useless and fugitive as necklace beads without a connecting chain.
Alain de Botton
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Alain de Botton
Age: 55
Born: 1969
Born: December 20
Journalist
Philosopher
Publisher
Writer
City of Zurich
Alain De Botton
Time
Necessary
Fugitive
Therefore
Beads
Danger
Connecting
Information
Chain
Wrong
Chains
Chance
Useless
Necklace
Without
Travel
Receptivity
Things
Build
Necklaces
More quotes by Alain de Botton
You normally have to be bashed about a bit by life to see the point of daffodils, sunsets and uneventful nice days.
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The materialistic view of happiness of our age starkly revealed in our understanding of the word luxury.
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I'm also interested in the modern suggestion that you can have a combination of love and sex in a marriage - which no previous society has ever believed.
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I learnt to stop fantasising about the perfect job or the perfect relationship because that can actually be an excuse for not living.
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as the determinants of high status keep shifting, so, too, naturally, will the triggers of status anxiety be altered.
Alain de Botton
The blunt large questions become connected to smaller, apparently esoteric ones.
Alain de Botton
Rage is caused by a conviction, almost comic in its optimistic origins (however tragic in its effects), that a given frustration has not been written into the contract of life.
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There is real danger of a disconnect between what's on your business card and who you are deep inside, and it's not a disconnect that the world is ready to be patient with.
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The arrogance that says analysing the relationship between reasons and causes is more important than writing a philosophy of shyness or sadness or friendship drives me nuts. I can't accept that.
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People only get really interesting when they start to rattle the bars of their cages.
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I think people want to get married to end their emotional uncertainty. In a way, they want to end powerful feelings, or certainly the negative ones.
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Unhappiness can stem from having only one perspective to play with.
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True respectability stems not from the will of the majority but from proper reasoning.
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On paper, being good sounds great but a lot depends on the atmosphere of the workplace or community we live in. We tend to become good or bad depending on the cues sent out within a particular space.
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The more familiar two people become, the more the language they speak together departs from that of the ordinary, dictionary-defined discourse. Familiarity creates a new language, an in-house language of intimacy that carries reference to the story the two lovers are weaving together and that cannot be readily understood by others.
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The architects who benefit us most maybe those generous enough to lay aside their claims to genius in order to devote themselves to assembling graceful but predominantly unoriginal boxes. Architecture should have the confidence and the kindness to be a little boring.
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Bad art might be defined as a series of bad choices about what to show and what to leave out.
Alain de Botton
We are continuously challenged to discover new works of culture—and, in the process, we don’t allow any one of them to assume a weight in our minds.
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It's very hard to respect people on holiday - everybody looks so silly at the beach, it makes you hate humanity - but when you see people at their work they elicit respect, whether it's a mechanic, a stonemason or an accountant.
Alain de Botton
One rarely falls in love without being as much attracted to what is interestingly wrong with someone as what is objectively healthy.
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