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To be or not to be is [by William Shakespeare] beyond anything I can comprehend. I understand it on a superficial level, but the depth of it just boggles my mind. I think it's probably the greatest of all speeches ever written.
Al Pacino
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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
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More quotes by Al Pacino
You take a guy like George Clooney who goes out there to Darfur, and gets things done! That's magical. He's done a great thing.
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When I was a younger actor, I would try to keep it serious all day. But I have found, later on, that the lighter I am about things when I'm going to do a big scene that's dramatic and takes a lot out of you, the better off I am when I come to it.
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I think what you see [in Salome the play backstage] is an artist having this fit of temperament.
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Women have always had equal importance onstage, and working with them must have altered my sensibilities. I've never felt sensitive to the whole issue, because being macho has never been a problem with me.
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Shakespeare's plays are more violent than 'Scarface.'
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I want to be interesting in an interview just as much as I want to do well in a part.
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I have a life and do a lot of things, and so far my work has been my life. If I was a painter no one would question me about my age. I'm an artist, I hate saying that.
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My best advice to any young person is, if you want kids, be careful who you have them with. That's my mantra.
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I don't like a lot of things like [Iraq], I never did. Being in a position of celebrity and having your words carry such unnatural weight...I've always been a bit squeamish when it came to that kind of thing.
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On any given Sunday you're gonna win or you're gonna lose. The point is -- can you win or lose like a man?
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[Julie Marie Pacino]is a great ballplayer, which I wanted to be. She did make four films by the time she was 14 but we're not going to talk about that.
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I destroy the painting as soon as I can see what it is. When I can make out something in it, I destroy it because it's no longer coming from my unconscious.
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I understand the directors much more. I was always rebelling against them when I was a youngster, I didn't want to be told what to do. I had no identification.
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I've often said there's two kinds of actors. There's a more gregarious type and the shy type.
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I used to say I wanted to genuflect to a woman, put her up on a pedestal higher and higher, way up beyond my grasp...Then I'd find another one.
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People are always asking me to do Shakespeare - at home, at colleges, on film locations, in restaurants. It's like playing a piece of music, getting all the notes. It's great therapy.
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When I was younger, there was the sex thing. That's par for the course.When you're a movie star, it went with it. It's a kind of rite of passage, socially.
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I learned to wrestle, I learned defensive fighting at a young age, because when someone hit me, I would throw up and fall down.
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