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When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.

Al Pacino

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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
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Restaurant
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Italian
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Pacino
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When my mother got home from work, she would take me to the movies. It was her way of getting out, and she would take me with her. I'd go home and act all the parts. It had a tremendous influence on my becoming an actor.
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My grandfather was a provider. Work, any kind of work, was the joy of his life. So I grew up having a certain relationship to work. It was something that I always wanted.
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If something is working, don't fix it. Keep going. Go with the glow.
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My first language was shy. It's only by having been thrust into the limelight that I have learned to cope with my shyness.
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Sometimes the only way you can get an audience is at an audition.
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There was a time in my life when being dishonest with women was the natural way to be. I finally said, Hey, I have to stop this silliness.
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I turned down a lot of films before I made my first one. I knew that it was time for me to get into movies.
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I'm so shy now I wear sunglasses everywhere I go.
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Larry Grobel has the illness of all writers, he can't help himself. You're talking to him and all of a sudden, you say, He's puttin' that in his cash register!
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There are a lot of roles in Shakespeare, basically. If I feel that the script is a movie, I would be interested in doing any role of Shakespeare's.
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To be really obvious about something, if somebody straps an M1 on your shoulder and throws you in Iraq, you're going to get a sense of what the hell's going on there. Boy, you'll wake up fast when bullets are flying over your head.
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Certainly the movies were always in the air for me. I come from the era when actors thought it was a big deal to be in the movies.
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Jamie Foxx does a good rendition of me. It's a real gift, mimicry of that kind, the tonal thing. It's sort of like having a talent for playing an instrument.
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Actually, the person I related to was James Dean. I grew up with the Dean thing. Rebel Without A Cause had a very powerful effect on me.
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To be or not to be is [by William Shakespeare] beyond anything I can comprehend. I understand it on a superficial level, but the depth of it just boggles my mind. I think it's probably the greatest of all speeches ever written.
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I understand the directors much more. I was always rebelling against them when I was a youngster, I didn't want to be told what to do. I had no identification.
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The only thing in this world that gives orders is balls.
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An actor basically likes to be asked to do something, no matter what position he's in. It feels more natural. Sitting and waiting is more gratifying.
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I don't talk politics and I don't talk philosophy or anything like that, but if you look at my work, you might get an expression of me as a person.
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The interesting thing about this is I don't know what my vision [ in Salome the play and Salomaybe] is yet about. I'm sensing something and I'm going along with it. It reminds me of a painting, the way Jackson Pollack painted - Jackson Pollack, the great, great artist.
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