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Pretty soon I'll start worrying about [my fame] because [my children] carry my name and they have that exposure. The whole thing is, they never asked for it, that kingdom.
Al Pacino
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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Worry
Worrying
Pretty
Kingdom
Names
Kingdoms
Start
Carry
Whole
Fame
Children
Soon
Thing
Asked
Never
Name
Exposure
More quotes by Al Pacino
Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they're not used to? Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
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The physical stamina [in Revolution]. I was just shocked by it. I didn't think I had it in me ever, and I wasn't terribly young when I did it. I was in my early forties. That was the first thing I was struck by, not by the acting, not by anything else, but by the physicality.
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Sometimes you're fighting corporations and forget that people can talk to each other.
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You'll never be alone if you’ve got a book.
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Did you know I started out as a stand-up comic? People don't believe me when I tell them. That's how I saw myself, in comedy.
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Opinions I have about anything are in my personal life.
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I'm so shy now I wear sunglasses everywhere I go.
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I don't like a lot of things like [Iraq], I never did. Being in a position of celebrity and having your words carry such unnatural weight...I've always been a bit squeamish when it came to that kind of thing.
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I found out how temperamental I am, yes. And that sometimes that can be kind of off-putting.
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Be careful how you judge people, most of all friends. You don't sum up a man's life in one moment.
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I was watching Revolution, and the things I did in that picture, holy smokes! I can't believe I did that, it's like another person. It's the thought of it, it's just appalling to me.
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The interesting thing about this is I don't know what my vision [ in Salome the play and Salomaybe] is yet about. I'm sensing something and I'm going along with it. It reminds me of a painting, the way Jackson Pollack painted - Jackson Pollack, the great, great artist.
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Everything changes with age. The parts change with age, your feelings about them change, roles that I would've wanted to play 10 years ago, I don't want to play now.
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One of the things that made me want to be an actor more than ever was seeing a Chekhov play, The Sea Gull, when was 14 in the Bronx.
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I can see [ talent or curiosity for acting] in my oldest daughter [Julia Marie Pacino]. I don't know how long she'll run away from it, but it's there in her.
Al Pacino
[Salomaybe] is my presentation, my vision of the world. Not so much to satisfy the audience at large.
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Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
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I never saw myself as a director. It's certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.
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Acting is hard work. At times, it's very energizing and enervating. It's childish. It's also responsible. It's illuminating, enriching, joyful, drab. It's bizarre, diabolical. It's exciting.
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Actors are always outsiders. It's necessary to be able to interpret - and that gets distorted when you become famous.
Al Pacino
