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[Julie Marie Pacino]is a great ballplayer, which I wanted to be. She did make four films by the time she was 14 but we're not going to talk about that.

Al Pacino

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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Talk
Film
Wanted
Pacino
Great
Ballplayer
Going
Julie
Make
Marie
Time
Films
Four

More quotes by Al Pacino

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People are always asking me to do Shakespeare - at home, at colleges, on film locations, in restaurants. It's like playing a piece of music, getting all the notes. It's great therapy.
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You never open your mouth until you know what the shot is.
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Show me a bad script and I will show you a big payday.
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A lot of acting is private time.
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Jamie Foxx does a good rendition of me. It's a real gift, mimicry of that kind, the tonal thing. It's sort of like having a talent for playing an instrument.
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You don't get to know anybody in a movie until after it's over. You work less together in a film than you do onstage.
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Vanity is my favourite sin.
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Did you know I started out as a stand-up comic? People don't believe me when I tell them. That's how I saw myself, in comedy.
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I didn't go for the needle at all. I never cared for drugs, because I saw what they did to most people. I thought that was the end of the road.
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I once asked my oldest daughter [Julia Marie] if she thought about changing her name in school and she said, No, I'm a Pacino. That's my name. I just wondered how it would feel, how people would treat her, but she's adjusted so marvelously.
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The play is the source, it is orchestrated with words. In a movie, you are not dealing with as much as that. There are machines and wires. When you're acting for a camera, it keeps taking and never giving back.
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The actor becomes an emotional athlete. The process is painful - my personal life suffers.
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I destroy the painting as soon as I can see what it is. When I can make out something in it, I destroy it because it's no longer coming from my unconscious.
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It's easy to fool the eye but it's hard to fool the heart.
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I was watching Revolution, and the things I did in that picture, holy smokes! I can't believe I did that, it's like another person. It's the thought of it, it's just appalling to me.
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I believe in one day at a time you've got TODAY, that's what you' ve got.
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The problem with me is, I guess, the way I express myself, you have to be with me 50 years before you can get a sense of what I'm talking about.
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It was a compromise. There was a sense that I could write my own memoirs, and Larry [Grobel] would help me down the line, or maybe not, maybe he was too close to me.
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I personally think if you're given four months instead of four weeks on a play, with the people who want to work that way, the play will invariably be different and stronger, and much more fulfilling and richer on all counts. There's no doubt in my mind about it.
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I probably write a poem every 50 years.
Al Pacino