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I think what you see [in Salome the play backstage] is an artist having this fit of temperament.
Al Pacino
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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Fit
Artist
Play
Think
Thinking
Salome
Backstage
Temperament
More quotes by Al Pacino
Larry Grobel has the illness of all writers, he can't help himself. You're talking to him and all of a sudden, you say, He's puttin' that in his cash register!
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I'm always on a red carpet . . . the other day I thought, this ain't bad. You can meet people on it.
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When I was younger, there was the sex thing. That's par for the course.When you're a movie star, it went with it. It's a kind of rite of passage, socially.
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Acting is hard work. At times, it's very energizing and enervating. It's childish. It's also responsible. It's illuminating, enriching, joyful, drab. It's bizarre, diabolical. It's exciting.
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The actor becomes an emotional athlete.
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My dad was in the army. World War II. He got his college education from the army. After World War II he became an insurance salesman. Really, I didn't know my dad very well. He and my mother split up after the war. I was raised by my maternal grandmother and grandfather, and by my mother.
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On any given Sunday you're gonna win or you're gonna lose. The point is -- can you win or lose like a man?
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I had these little babies [my twins] and it gave me something so spectacular, such a feeling - I was so turned on and so excited by them that I wrote a poem. I had it on scraps of paper and the maid threw it out.
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My grandfather was a provider. Work, any kind of work, was the joy of his life. So I grew up having a certain relationship to work. It was something that I always wanted.
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After looking at Salomaybe, I don't know who the hell the real me is. I think it's closest now to the real me because for one thing, I'm used to this.
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Look, but don't touch. Touch, but don't taste. Taste, but don't swallow.
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I never saw myself as a director. It's certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.
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I'm not a violent person, never was, but I have this temperament that I've always displayed. I guess it has to do with my tradition and being Italian, we're very outgoing with our emotions.
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At this point in my career, I don't have to deal with audition rejections. So I get my rejection from other things. My children can make me feel rejected. They can humble you pretty quick.
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I believe in one day at a time you've got TODAY, that's what you' ve got.
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Opinions I have about anything are in my personal life.
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I learned to wrestle, I learned defensive fighting at a young age, because when someone hit me, I would throw up and fall down.
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The literal, basic thing of the stage is really like a magnet. It brings me back to earth.
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I understand the directors much more. I was always rebelling against them when I was a youngster, I didn't want to be told what to do. I had no identification.
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I once asked my oldest daughter [Julia Marie] if she thought about changing her name in school and she said, No, I'm a Pacino. That's my name. I just wondered how it would feel, how people would treat her, but she's adjusted so marvelously.
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