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[Salomaybe] is my presentation, my vision of the world. Not so much to satisfy the audience at large.
Al Pacino
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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Satisfy
Large
Vision
Audience
Much
World
Presentation
More quotes by Al Pacino
When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.
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It's easy to fool the eye but it's hard to fool the heart.
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I think what you see [in Salome the play backstage] is an artist having this fit of temperament.
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That's the way to live - around people who care. It may be a tough ride, but something is going to come out of it.
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There are people whose sense of reality is very strong, who have a sense of honesty. Lee Strasberg is like that, my grandfather was like that. These are the kinds of men I've had close relationships with.
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Sometimes you're fighting corporations and forget that people can talk to each other.
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Forget the career, do the work. If you feel what you are doing is on line and you're going someplace and you have a vision and you stay with it, eventually things will happen.
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I don't need bodyguards. I'm from the South Bronx.
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I'm naturally shy but I've done this [movie Salomaybe] so much and you get better at it than you would think.
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Jamie Foxx does a good rendition of me. It's a real gift, mimicry of that kind, the tonal thing. It's sort of like having a talent for playing an instrument.
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My early career was a real rush of movies and stardom - it was almost overwhelming.
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I used to think of myself as a comedian. I've always admired comedians. Their minds, the way in which they se the world is so striking, the way they juxtapose things, the way they can see humor in people. There's a liberation in that.
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Be careful how you judge people, most of all friends. You don't sum up a man's life in one moment.
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You don't get to know anybody in a movie until after it's over. You work less together in a film than you do onstage.
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sometimes it's better to be with the devil u know than the angel u didn't know
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Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
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I do believe, and I will always believe, that Shakespeare on film is really something that should be tried more often because it is an opportunity to take the humanity that Shakespeare writes into characters and express it.
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When you perform with a live audience, the audience comes back to you, so that you and the audience are giving to each other, in a sense. It's an extraordinary thing. It's wild turf up there.
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Whether he's doing great acting or not, you're seeing somebody who is in the tradition of a great actor. What he does with it, that's something else, but he's got it all. The talent, the instrument is there, that's why he has endured.
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I'm much more a European Italian than I am an American Italian, and I've always felt that that style of acting comedy is in me. I put comedy as much as I can into all my movies, if I can help it.
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