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[Oscar Wilde's Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that's why I guess it's semi-autobiographical.

Al Pacino

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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Sense
Wilde
Stuff
Autobiographical
House
Screenplay
Kids
Semi
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Screenplays
Oscar
Oscars
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Salome

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They say we die twice - once when the last breath leaves our body and once when the last person we know says our name.
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I had these little babies [my twins] and it gave me something so spectacular, such a feeling - I was so turned on and so excited by them that I wrote a poem. I had it on scraps of paper and the maid threw it out.
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[Ocean's Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids. So I've been doing everything that has to do with being next to them, close to them.
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Everything changes with age. The parts change with age, your feelings about them change, roles that I would've wanted to play 10 years ago, I don't want to play now.
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When I was doing 'Scarface,' I remember being in love at that time. One of the few times in my life. And I was so glad it was at that time. I would come home and she would tell me about her life that day and all her problems and I remember saying to her, look, you really got me through this picture because I would shed everything when I came home.
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I wanted to be a baseball player, naturally, but I wasn't good enough. I didn't know what I was going to do with my life. I just had a kind of energy, I was a fairly happy kid.
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A kiss is a lusty dollop of dessert to be served with desire and savored with passion.
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Vanity: my favorite sin.
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There are people whose sense of reality is very strong, who have a sense of honesty. Lee Strasberg is like that, my grandfather was like that. These are the kinds of men I've had close relationships with.
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I’ve always been in the theater. I’ve always gone to it. That’s been my way to cope. Early on in my career, I remember running - fleeing - to the theater as a way of coping with all the meshugaas that was going on for me.
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I always tell the truth. Even when I lie.
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Our ability to manufacture fraud now exceeds our ability to detect it.
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My grandfather was a provider. Work, any kind of work, was the joy of his life. So I grew up having a certain relationship to work. It was something that I always wanted.
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Actually, the person I related to was James Dean. I grew up with the Dean thing. Rebel Without A Cause had a very powerful effect on me.
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I went to Performing Arts because that was the only school that would accept me. My scholastic level was not very high.
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I used to think of myself as a comedian. I've always admired comedians. Their minds, the way in which they se the world is so striking, the way they juxtapose things, the way they can see humor in people. There's a liberation in that.
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It would be hard to play a character you don't like - for me anyway - or can't find something in them to like.
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I was playing a part of someone dealing dope on a street corner - and there was a guy actually dealing heroin right there. I looked at him, he looked at me, and I got real confused.
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I hope the perception is that I'm an actor, I never intended to be a movie star.
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It wasn't until I got older that I realized acting was something I could really do.
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