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Women have always had equal importance onstage, and working with them must have altered my sensibilities. I've never felt sensitive to the whole issue, because being macho has never been a problem with me.

Al Pacino

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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Never
Issues
Macho
Working
Altered
Felt
Onstage
Problem
Sensibility
Women
Sensitive
Whole
Issue
Must
Importance
Always
Equal
Sensibilities

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I do believe, and I will always believe, that Shakespeare on film is really something that should be tried more often because it is an opportunity to take the humanity that Shakespeare writes into characters and express it.
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I went back to the stage because it was my way of dealing with the success I had, my way of coping. It was a way of escaping the responsibilty of what was happening.
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When I was younger, there was the sex thing. That's par for the course.When you're a movie star, it went with it. It's a kind of rite of passage, socially.
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Take a look at Israel's history and you would know who the terrorist is.
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To be really obvious about something, if somebody straps an M1 on your shoulder and throws you in Iraq, you're going to get a sense of what the hell's going on there. Boy, you'll wake up fast when bullets are flying over your head.
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People are always asking me to do Shakespeare - at home, at colleges, on film locations, in restaurants. It's like playing a piece of music, getting all the notes. It's great therapy.
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Show me a bad script and I will show you a big payday.
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You don't get to know anybody in a movie until after it's over. You work less together in a film than you do onstage.
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I don’t understand the hatred and fear of gays and bisexuals and lesbians… it’s a concept I honestly cannot grasp. To me, it’s not who you love… a man, a woman, what have you… it’s the fact that you love. That is all that truly matters.
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I had these little babies [my twins] and it gave me something so spectacular, such a feeling - I was so turned on and so excited by them that I wrote a poem. I had it on scraps of paper and the maid threw it out.
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[Salomaybe] is my presentation, my vision of the world. Not so much to satisfy the audience at large.
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I was playing a part of someone dealing dope on a street corner - and there was a guy actually dealing heroin right there. I looked at him, he looked at me, and I got real confused.
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After looking at Salomaybe, I don't know who the hell the real me is. I think it's closest now to the real me because for one thing, I'm used to this.
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There was a time in my life when being dishonest with women was the natural way to be. I finally said, Hey, I have to stop this silliness.
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If you have the opportunity to meet someone as an actor, it's just great fodder for you. It's wonderful source stuff that we die for.
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I found that speaking live to people, young people, about what I liked and what had been happening to me was very good for me. I was quite overtaken by success and fame. I was one of those types who responded to it in a negative way. It was not easy.
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Sometimes what we imagine and the world aren't different things. Sometimes they are the same exact thing.
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The interesting thing about this is I don't know what my vision [ in Salome the play and Salomaybe] is yet about. I'm sensing something and I'm going along with it. It reminds me of a painting, the way Jackson Pollack painted - Jackson Pollack, the great, great artist.
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I haven't encouraged [Julia Marie Pacino] or discouraged her. I let her go her own way. I did say to her that I thought that she had a real gift, and it's a good idea to know that. It's always good to go with your gift.
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Certainly the movies were always in the air for me. I come from the era when actors thought it was a big deal to be in the movies.
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