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There was a time in my life when being dishonest with women was the natural way to be. I finally said, Hey, I have to stop this silliness.
Al Pacino
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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Finally
Stop
Natural
Women
Way
Time
Silliness
Life
Dishonest
Hey
More quotes by Al Pacino
I want to be a great actor someday, and I've decided there's no use philosophizing the only way is to work at my craft.
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I don't like a lot of things like [Iraq], I never did. Being in a position of celebrity and having your words carry such unnatural weight...I've always been a bit squeamish when it came to that kind of thing.
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Opinions I have about anything are in my personal life.
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The interesting thing about this is I don't know what my vision [ in Salome the play and Salomaybe] is yet about. I'm sensing something and I'm going along with it. It reminds me of a painting, the way Jackson Pollack painted - Jackson Pollack, the great, great artist.
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I believe in one day at a time you've got TODAY, that's what you' ve got.
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[Oscar Wilde's Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that's why I guess it's semi-autobiographical.
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Man is a little bit better than his reputation, and a little bit worse
Al Pacino
I destroy the painting as soon as I can see what it is. When I can make out something in it, I destroy it because it's no longer coming from my unconscious.
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I'm naturally shy but I've done this [movie Salomaybe] so much and you get better at it than you would think.
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The play is the source, it is orchestrated with words. In a movie, you are not dealing with as much as that. There are machines and wires. When you're acting for a camera, it keeps taking and never giving back.
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Actors are always outsiders. It's necessary to be able to interpret - and that gets distorted when you become famous.
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Women have always had equal importance onstage, and working with them must have altered my sensibilities. I've never felt sensitive to the whole issue, because being macho has never been a problem with me.
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Responsibilities are relative. My responsibility is to a character in a script, to a part I'm playing.
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If you get all tangled up, just tango on.
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Vanity: my favorite sin.
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Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they're not used to? Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
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We start to realize that there are anodynes in life that help us through the day. I don't care if it's a walk in the park, a look out the window, a good bubble bath - whatever. Even a meal you like, or a friend you want to call. That helps us solve all this stuff in our head.
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The physical stamina [in Revolution]. I was just shocked by it. I didn't think I had it in me ever, and I wasn't terribly young when I did it. I was in my early forties. That was the first thing I was struck by, not by the acting, not by anything else, but by the physicality.
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Drinking and smoking grass were a part of my life as far back as I can remember.
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I found out how temperamental I am, yes. And that sometimes that can be kind of off-putting.
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