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Chekhov was as important to me as anybody as a writer.

Al Pacino

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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Important
Chekhov
Anybody
Writer

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Forget the career, do the work. If you feel what you are doing is on line and you're going someplace and you have a vision and you stay with it, eventually things will happen.
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Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
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The actor becomes an emotional athlete.
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In America most everybody who's Italian is half Italian. Except me. I'm all Italian. I'm mostly Sicilian, and I have a little bit of Neapolitan in me. You get your full dose with me.
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Responsibilities are relative. My responsibility is to a character in a script, to a part I'm playing.
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If you have the opportunity to meet someone as an actor, it's just great fodder for you. It's wonderful source stuff that we die for.
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I never saw myself as a director. It's certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.
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One of the things that made me want to be an actor more than ever was seeing a Chekhov play, The Sea Gull, when was 14 in the Bronx.
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If you get all tangled up, just tango on.
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I probably write a poem every 50 years.
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I have a life and do a lot of things, and so far my work has been my life. If I was a painter no one would question me about my age. I'm an artist, I hate saying that.
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I went to Performing Arts because that was the only school that would accept me. My scholastic level was not very high.
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My grandfather was a provider. Work, any kind of work, was the joy of his life. So I grew up having a certain relationship to work. It was something that I always wanted.
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Actors are always outsiders. It's necessary to be able to interpret - and that gets distorted when you become famous.
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It's easy to fool the eye but it's hard to fool the heart.
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Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they're not used to? Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
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When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.
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Freedom, baby, is never having to say youre sorry.
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I used to say I wanted to genuflect to a woman, put her up on a pedestal higher and higher, way up beyond my grasp...Then I'd find another one.
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I want to be a great actor someday, and I've decided there's no use philosophizing the only way is to work at my craft.
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