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One of the things that made me want to be an actor more than ever was seeing a Chekhov play, The Sea Gull, when was 14 in the Bronx.
Al Pacino
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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
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Actors
Ever
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Gulls
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Chekhov
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Bronx
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Actor
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Either I act or I die.
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Actors are always outsiders. It's necessary to be able to interpret - and that gets distorted when you become famous.
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When I was younger, I would go to auditions to have the opportunity to audition, which would mean another chance to get up there and try out my stuff, or try out what I learned and see how it worked with an audience, because where are you gonna get an audience?
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Great directors can understand the staging in such a way that can make a scene come alive. Others have a certain way of pacing the scene.
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Chekhov was as important to me as anybody as a writer.
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The camera can film my face but until it captures my soul, you don't have a movie.
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To be or not to be is [by William Shakespeare] beyond anything I can comprehend. I understand it on a superficial level, but the depth of it just boggles my mind. I think it's probably the greatest of all speeches ever written.
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The only thing in this world that gives orders is balls.
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There are a couple of times I would've liked to have married. I think I made a mistake, especially once.
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A lot of acting is private time.
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I'm much more a European Italian than I am an American Italian, and I've always felt that that style of acting comedy is in me. I put comedy as much as I can into all my movies, if I can help it.
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Sometimes the only way you can get an audience is at an audition.
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I come from the South Bronx - a true descendant of the melting pot. I grew up in a really mixed neighborhood it was a very integrated life.
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When you perform with a live audience, the audience comes back to you, so that you and the audience are giving to each other, in a sense. It's an extraordinary thing. It's wild turf up there.
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If you have the opportunity to meet someone as an actor, it's just great fodder for you. It's wonderful source stuff that we die for.
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The play is the source, it is orchestrated with words. In a movie, you are not dealing with as much as that. There are machines and wires. When you're acting for a camera, it keeps taking and never giving back.
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I am more alive in the theater than anywhere else, but what I take into the theater I get from the streets.
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I personally think if you're given four months instead of four weeks on a play, with the people who want to work that way, the play will invariably be different and stronger, and much more fulfilling and richer on all counts. There's no doubt in my mind about it.
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People are always asking me to do Shakespeare - at home, at colleges, on film locations, in restaurants. It's like playing a piece of music, getting all the notes. It's great therapy.
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Romantic love can be a lot of crap, though, let me tell you. And it can hurt you.
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