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I didn't go for the needle at all. I never cared for drugs, because I saw what they did to most people. I thought that was the end of the road.

Al Pacino

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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Never
Cared
People
Drugs
Road
Drug
Saws
Didn
Ends
Needle
Thought
Needles

More quotes by Al Pacino

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I'm always on a red carpet . . . the other day I thought, this ain't bad. You can meet people on it.
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I always tell the truth. Even when I lie.
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I've often said there's two kinds of actors. There's a more gregarious type and the shy type.
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I wanted to be a baseball player, naturally, but I wasn't good enough. I didn't know what I was going to do with my life. I just had a kind of energy, I was a fairly happy kid.
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A kiss is a lusty dollop of dessert to be served with desire and savored with passion.
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It's easy to fool the eye but it's hard to fool the heart.
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I don't talk politics and I don't talk philosophy or anything like that, but if you look at my work, you might get an expression of me as a person.
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The play is the source, it is orchestrated with words. In a movie, you are not dealing with as much as that. There are machines and wires. When you're acting for a camera, it keeps taking and never giving back.
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I like, for instance, 'Serpico.' I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could - I could embody him. I could, you know, I could work and get to know him and have him help me with the text, the script and become him. It's almost like a painter having a model to become.
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I used to think of myself as a comedian. I've always admired comedians. Their minds, the way in which they se the world is so striking, the way they juxtapose things, the way they can see humor in people. There's a liberation in that.
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The fruit falls off the tree. You don't shake it off before it's ready to fall.
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I don't like what's going on in Iraq, naturally. I'm part of a large majority of people who don't, but I do not know the whole story. I do not believe what I see on television. I believe a percentage of it, so it's hard for me to discern. I don't like what it's doing to the world.
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Opinions I have about anything are in my personal life.
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When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.
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I'm much more a European Italian than I am an American Italian, and I've always felt that that style of acting comedy is in me. I put comedy as much as I can into all my movies, if I can help it.
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If you have the opportunity to meet someone as an actor, it's just great fodder for you. It's wonderful source stuff that we die for.
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Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they're not used to? Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
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One of the things that made me want to be an actor more than ever was seeing a Chekhov play, The Sea Gull, when was 14 in the Bronx.
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Did you know I started out as a stand-up comic? People don't believe me when I tell them. That's how I saw myself, in comedy.
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Larry Grobel has the illness of all writers, he can't help himself. You're talking to him and all of a sudden, you say, He's puttin' that in his cash register!
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