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Actors are always outsiders. It's necessary to be able to interpret - and that gets distorted when you become famous.
Al Pacino
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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Always
Interpret
Outsiders
Famous
Necessary
Gets
Actors
Become
Able
Distorted
More quotes by Al Pacino
The only thing in this world that gives orders is balls.
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My early career was a real rush of movies and stardom - it was almost overwhelming.
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If I find something and feel as though I can contribute to [it] in a way and feel I'm in it, whatever that means, I'm expressing something that I feel is a way to exercise my talent and help communicate a role as a human being in a movie, I will do that.
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I've often said there's two kinds of actors. There's a more gregarious type and the shy type.
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Jamie Foxx does a good rendition of me. It's a real gift, mimicry of that kind, the tonal thing. It's sort of like having a talent for playing an instrument.
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I once asked my oldest daughter [Julia Marie] if she thought about changing her name in school and she said, No, I'm a Pacino. That's my name. I just wondered how it would feel, how people would treat her, but she's adjusted so marvelously.
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After looking at Salomaybe, I don't know who the hell the real me is. I think it's closest now to the real me because for one thing, I'm used to this.
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I’ve always been in the theater. I’ve always gone to it. That’s been my way to cope. Early on in my career, I remember running - fleeing - to the theater as a way of coping with all the meshugaas that was going on for me.
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A kiss is a lusty dollop of dessert to be served with desire and savored with passion.
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It wasn't until I got older that I realized acting was something I could really do.
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Forget the career, do the work. If you feel what you are doing is on line and you're going someplace and you have a vision and you stay with it, eventually things will happen.
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I never saw myself as a director. It's certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.
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I want to be a great actor someday, and I've decided there's no use philosophizing the only way is to work at my craft.
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I didn't want the book [of memoirs] out, naturally - Larry [Grobel] knew that for 20 years, 15 at least, I didn't want anything written about me. Then, you know, things happen, finally it's OK and I trust Larry. Nothing about it is salacious in any way.
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I don't regret anything. I feel like I've made what I would call mistakes. I picked the wrong movie, or I didn't pursue a character, but everything you do is part of you and you get something from it.
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Responsibilities are relative. My responsibility is to a character in a script, to a part I'm playing.
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When you perform with a live audience, the audience comes back to you, so that you and the audience are giving to each other, in a sense. It's an extraordinary thing. It's wild turf up there.
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When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.
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My first language was shy. It's only by having been thrust into the limelight that I have learned to cope with my shyness.
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I went to Performing Arts because that was the only school that would accept me. My scholastic level was not very high.
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