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Actors are always outsiders. It's necessary to be able to interpret - and that gets distorted when you become famous.

Al Pacino

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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Always
Interpret
Outsiders
Famous
Necessary
Gets
Actors
Become
Able
Distorted

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I love work because it keeps sex in perspective. Otherwise, it can become a preoccupation.
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I come from the South Bronx - a true descendant of the melting pot. I grew up in a really mixed neighborhood it was a very integrated life.
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Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they're not used to? Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
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You'll never be alone if you’ve got a book.
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I would say I am more concerned with the plays I'm going to do than the movies. I'm more comfortable in a play. In film, there's always a certain sense of control, of holding back. The stage is different there's more to act. There are more demands put on you, more experiences to go through.
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An actor basically likes to be asked to do something, no matter what position he's in. It feels more natural. Sitting and waiting is more gratifying.
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If you can identify with people, you can empathize with people and therefore you understand things.
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Without coffee something’s missing
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The play is the source, it is orchestrated with words. In a movie, you are not dealing with as much as that. There are machines and wires. When you're acting for a camera, it keeps taking and never giving back.
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I’ve always been in the theater. I’ve always gone to it. That’s been my way to cope. Early on in my career, I remember running - fleeing - to the theater as a way of coping with all the meshugaas that was going on for me.
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[Julie Marie Pacino]is a great ballplayer, which I wanted to be. She did make four films by the time she was 14 but we're not going to talk about that.
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sometimes it's better to be with the devil u know than the angel u didn't know
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Whether he's doing great acting or not, you're seeing somebody who is in the tradition of a great actor. What he does with it, that's something else, but he's got it all. The talent, the instrument is there, that's why he has endured.
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I've had very deep relationships that lasted for long periods of time with people - you could almost call them marriages, even though I didn't marry. But it was costly.
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I understand the directors much more. I was always rebelling against them when I was a youngster, I didn't want to be told what to do. I had no identification.
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If I find something and feel as though I can contribute to [it] in a way and feel I'm in it, whatever that means, I'm expressing something that I feel is a way to exercise my talent and help communicate a role as a human being in a movie, I will do that.
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[Ocean's Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids. So I've been doing everything that has to do with being next to them, close to them.
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If you get all tangled up, just tango on.
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Sometimes you're fighting corporations and forget that people can talk to each other.
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I'm much more a European Italian than I am an American Italian, and I've always felt that that style of acting comedy is in me. I put comedy as much as I can into all my movies, if I can help it.
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