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I used to think of myself as a comedian. I've always admired comedians. Their minds, the way in which they se the world is so striking, the way they juxtapose things, the way they can see humor in people. There's a liberation in that.

Al Pacino

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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
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Juxtapose
Mind
Comedians
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Striking
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Liberation
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Comedian
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Actually, the person I related to was James Dean. I grew up with the Dean thing. Rebel Without A Cause had a very powerful effect on me.
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I went to Performing Arts because that was the only school that would accept me. My scholastic level was not very high.
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All I am is what I'm going after.
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Playing a character is an illusion, and I feel that when you know too much about a person, possibly part of that illusion is disrupted.
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I was watching Revolution, and the things I did in that picture, holy smokes! I can't believe I did that, it's like another person. It's the thought of it, it's just appalling to me.
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At this point in my career, I don't have to deal with audition rejections. So I get my rejection from other things. My children can make me feel rejected. They can humble you pretty quick.
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It would be hard to play a character you don't like - for me anyway - or can't find something in them to like.
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The interesting thing about this is I don't know what my vision [ in Salome the play and Salomaybe] is yet about. I'm sensing something and I'm going along with it. It reminds me of a painting, the way Jackson Pollack painted - Jackson Pollack, the great, great artist.
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It turned out that time doesn't heal the wound , but in its so merciful way , blunts the edges ever so slightly
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I would say I am more concerned with the plays I'm going to do than the movies. I'm more comfortable in a play. In film, there's always a certain sense of control, of holding back. The stage is different there's more to act. There are more demands put on you, more experiences to go through.
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Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they're not used to? Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
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I don't like what's going on in Iraq, naturally. I'm part of a large majority of people who don't, but I do not know the whole story. I do not believe what I see on television. I believe a percentage of it, so it's hard for me to discern. I don't like what it's doing to the world.
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I don't talk politics and I don't talk philosophy or anything like that, but if you look at my work, you might get an expression of me as a person.
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The literal, basic thing of the stage is really like a magnet. It brings me back to earth.
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I'm naturally shy but I've done this [movie Salomaybe] so much and you get better at it than you would think.
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When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.
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It's easy to fool the eye but it's hard to fool the heart.
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Certainly the movies were always in the air for me. I come from the era when actors thought it was a big deal to be in the movies.
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You need some insecurity if you're an actor. It keeps the pot boiling. I haven't yet started to think about retiring. I was shocked when I heard about Paul Newman retiring at age 82. Most actors just fade away like old soldiers.
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