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The literal, basic thing of the stage is really like a magnet. It brings me back to earth.

Al Pacino

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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Back
Thing
Really
Magnet
Like
Literal
Basic
Brings
Stage
Earth

More quotes by Al Pacino

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Love is overrated. Biochemically no different than eating large quantities of chocolate
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Love goes through different stages. But it endures.
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I always tell the truth. Even when I lie.
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I haven't encouraged [Julia Marie Pacino] or discouraged her. I let her go her own way. I did say to her that I thought that she had a real gift, and it's a good idea to know that. It's always good to go with your gift.
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I've had very deep relationships that lasted for long periods of time with people - you could almost call them marriages, even though I didn't marry. But it was costly.
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There was a time in my life when being dishonest with women was the natural way to be. I finally said, Hey, I have to stop this silliness.
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You never open your mouth until you know what the shot is.
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What's this thing that gets between us and Shakespeare?
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Freedom, baby, is never having to say youre sorry.
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The interesting thing about this is I don't know what my vision [ in Salome the play and Salomaybe] is yet about. I'm sensing something and I'm going along with it. It reminds me of a painting, the way Jackson Pollack painted - Jackson Pollack, the great, great artist.
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I like, for instance, 'Serpico.' I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could - I could embody him. I could, you know, I could work and get to know him and have him help me with the text, the script and become him. It's almost like a painter having a model to become.
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Either I act or I die.
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We live in a world where the more you're working, the more things you do. It's a workaday world.
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I never saw myself as a director. It's certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.
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It used to worry me what people said about me. I'm learning not to worry as much. Sometimes you feel critics are wrong all the time, but I don 't take objection to it, because that's the way it goes. They can be wrong, they can be right. They can be cruel, they can be kind.
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I would say I am more concerned with the plays I'm going to do than the movies. I'm more comfortable in a play. In film, there's always a certain sense of control, of holding back. The stage is different there's more to act. There are more demands put on you, more experiences to go through.
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The play is the source, it is orchestrated with words. In a movie, you are not dealing with as much as that. There are machines and wires. When you're acting for a camera, it keeps taking and never giving back.
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I don't need bodyguards. I'm from the South Bronx.
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The only thing in this world that gives orders is balls.
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I probably write a poem every 50 years.
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