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Sometimes the only way you can get an audience is at an audition.

Al Pacino

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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Audition
Auditions
Audience
Sometimes
Way

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If something is working, don't fix it. Keep going. Go with the glow.
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I love work because it keeps sex in perspective. Otherwise, it can become a preoccupation.
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Whether he's doing great acting or not, you're seeing somebody who is in the tradition of a great actor. What he does with it, that's something else, but he's got it all. The talent, the instrument is there, that's why he has endured.
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I'm an actor, not a star. Stars are people who live in Hollywood and have heart-shaped swimming pools.
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Love goes through different stages. But it endures.
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I think what you see [in Salome the play backstage] is an artist having this fit of temperament.
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People are always asking me to do Shakespeare - at home, at colleges, on film locations, in restaurants. It's like playing a piece of music, getting all the notes. It's great therapy.
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I had these little babies [my twins] and it gave me something so spectacular, such a feeling - I was so turned on and so excited by them that I wrote a poem. I had it on scraps of paper and the maid threw it out.
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The truth is, you know, we need our anodynes. You know that word, anodynes? We need that in life some times. A good warm bath can be one for you, or a whatever.
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My dad was in the army. World War II. He got his college education from the army. After World War II he became an insurance salesman. Really, I didn't know my dad very well. He and my mother split up after the war. I was raised by my maternal grandmother and grandfather, and by my mother.
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At this point in my career, I don't have to deal with audition rejections. So I get my rejection from other things. My children can make me feel rejected. They can humble you pretty quick.
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When you perform with a live audience, the audience comes back to you, so that you and the audience are giving to each other, in a sense. It's an extraordinary thing. It's wild turf up there.
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I'm naturally shy but I've done this [movie Salomaybe] so much and you get better at it than you would think.
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The problem with me is, I guess, the way I express myself, you have to be with me 50 years before you can get a sense of what I'm talking about.
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Opinions I have about anything are in my personal life.
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Certainly the movies were always in the air for me. I come from the era when actors thought it was a big deal to be in the movies.
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I would say I am more concerned with the plays I'm going to do than the movies. I'm more comfortable in a play. In film, there's always a certain sense of control, of holding back. The stage is different there's more to act. There are more demands put on you, more experiences to go through.
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I used to think of myself as a comedian. I've always admired comedians. Their minds, the way in which they se the world is so striking, the way they juxtapose things, the way they can see humor in people. There's a liberation in that.
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The hardest thing about being famous is that people are always nice to you. You're in a conversation and everybody's agreeing with what you're saying - even if you say something totally crazy. You need people who can tell you what you don't want to hear.
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I wanted to be a baseball player, naturally, but I wasn't good enough. I didn't know what I was going to do with my life. I just had a kind of energy, I was a fairly happy kid.
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