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I do believe, and I will always believe, that Shakespeare on film is really something that should be tried more often because it is an opportunity to take the humanity that Shakespeare writes into characters and express it.

Al Pacino

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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Take
Express
Writing
Tried
Something
Characters
Believe
Humanity
Really
Opportunity
Always
Often
Film
Writes
Character
Shakespeare

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There are many things my father taught me here in this room. He taught me: keep your friends close, but your enemies closer.
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If something is working, don't fix it. Keep going. Go with the glow.
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I'm always on a red carpet . . . the other day I thought, this ain't bad. You can meet people on it.
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Love is overrated. Biochemically no different than eating large quantities of chocolate
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To be really obvious about something, if somebody straps an M1 on your shoulder and throws you in Iraq, you're going to get a sense of what the hell's going on there. Boy, you'll wake up fast when bullets are flying over your head.
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I never saw myself as a director. It's certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.
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Whether he's doing great acting or not, you're seeing somebody who is in the tradition of a great actor. What he does with it, that's something else, but he's got it all. The talent, the instrument is there, that's why he has endured.
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I always tell the truth. Even when I lie.
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I learned to wrestle, I learned defensive fighting at a young age, because when someone hit me, I would throw up and fall down.
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The physical stamina [in Revolution]. I was just shocked by it. I didn't think I had it in me ever, and I wasn't terribly young when I did it. I was in my early forties. That was the first thing I was struck by, not by the acting, not by anything else, but by the physicality.
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My grandfather was a provider. Work, any kind of work, was the joy of his life. So I grew up having a certain relationship to work. It was something that I always wanted.
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I come from the South Bronx - a true descendant of the melting pot. I grew up in a really mixed neighborhood it was a very integrated life.
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If I find something and feel as though I can contribute to [it] in a way and feel I'm in it, whatever that means, I'm expressing something that I feel is a way to exercise my talent and help communicate a role as a human being in a movie, I will do that.
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It's easy to fool the eye but it's hard to fool the heart.
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I don't like what's going on in Iraq, naturally. I'm part of a large majority of people who don't, but I do not know the whole story. I do not believe what I see on television. I believe a percentage of it, so it's hard for me to discern. I don't like what it's doing to the world.
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There has been a lot of self-doubt and unwelcome events in my life.
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[Ocean's Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids. So I've been doing everything that has to do with being next to them, close to them.
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A lot of acting is private time.
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I don't need bodyguards. I'm from the South Bronx.
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Sometimes the only way you can get an audience is at an audition.
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