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I do believe, and I will always believe, that Shakespeare on film is really something that should be tried more often because it is an opportunity to take the humanity that Shakespeare writes into characters and express it.

Al Pacino

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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Really
Opportunity
Always
Often
Film
Writes
Character
Shakespeare
Take
Express
Writing
Tried
Something
Characters
Believe
Humanity

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Drinking and smoking grass were a part of my life as far back as I can remember.
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To be really obvious about something, if somebody straps an M1 on your shoulder and throws you in Iraq, you're going to get a sense of what the hell's going on there. Boy, you'll wake up fast when bullets are flying over your head.
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It's never really that much fun for me to do movies anyway, because you - you know, you have to get up very early in the morning and you have to go in and you spend a lot of time waiting around.
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Freedom, baby, is never having to say youre sorry.
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At this point in my career, I don't have to deal with audition rejections. So I get my rejection from other things. My children can make me feel rejected. They can humble you pretty quick.
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Chekhov was as important to me as anybody as a writer.
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I didn't want the book [of memoirs] out, naturally - Larry [Grobel] knew that for 20 years, 15 at least, I didn't want anything written about me. Then, you know, things happen, finally it's OK and I trust Larry. Nothing about it is salacious in any way.
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I probably write a poem every 50 years.
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It was a compromise. There was a sense that I could write my own memoirs, and Larry [Grobel] would help me down the line, or maybe not, maybe he was too close to me.
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When I was younger, there was the sex thing. That's par for the course.When you're a movie star, it went with it. It's a kind of rite of passage, socially.
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The fruit falls off the tree. You don't shake it off before it's ready to fall.
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The problem with me is, I guess, the way I express myself, you have to be with me 50 years before you can get a sense of what I'm talking about.
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I'm always on a red carpet . . . the other day I thought, this ain't bad. You can meet people on it.
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I once asked my oldest daughter [Julia Marie] if she thought about changing her name in school and she said, No, I'm a Pacino. That's my name. I just wondered how it would feel, how people would treat her, but she's adjusted so marvelously.
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My early career was a real rush of movies and stardom - it was almost overwhelming.
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When my mother got home from work, she would take me to the movies. It was her way of getting out, and she would take me with her. I'd go home and act all the parts. It had a tremendous influence on my becoming an actor.
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Certainly the movies were always in the air for me. I come from the era when actors thought it was a big deal to be in the movies.
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My grandfather was a provider. Work, any kind of work, was the joy of his life. So I grew up having a certain relationship to work. It was something that I always wanted.
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There are people whose sense of reality is very strong, who have a sense of honesty. Lee Strasberg is like that, my grandfather was like that. These are the kinds of men I've had close relationships with.
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Great directors can understand the staging in such a way that can make a scene come alive. Others have a certain way of pacing the scene.
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