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Learning (Shakespeare's plays) ...in school was a bit of a bore.

Al Pacino

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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Learning
Bits
Education
School
Play
Bore
Bores
Shakespeare
Plays

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I can see [ talent or curiosity for acting] in my oldest daughter [Julia Marie Pacino]. I don't know how long she'll run away from it, but it's there in her.
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I have a life and do a lot of things, and so far my work has been my life. If I was a painter no one would question me about my age. I'm an artist, I hate saying that.
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Great directors can understand the staging in such a way that can make a scene come alive. Others have a certain way of pacing the scene.
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It's not personal, it's strictly business
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Any project that I find encouraging that isn't attached to a studio, I can go to them, which I definitely would. You have to take an interest in what you do.
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Look, but don't touch. Touch, but don't taste. Taste, but don't swallow.
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My first language was shy. It's only by having been thrust into the limelight that I have learned to cope with my shyness.
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My grandfather was a provider. Work, any kind of work, was the joy of his life. So I grew up having a certain relationship to work. It was something that I always wanted.
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If you get all tangled up, just tango on.
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The difference between the actor and the painter is that the actor would buy somebody a knish in order to have them watch him act.
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The physical stamina [in Revolution]. I was just shocked by it. I didn't think I had it in me ever, and I wasn't terribly young when I did it. I was in my early forties. That was the first thing I was struck by, not by the acting, not by anything else, but by the physicality.
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Freedom, baby, is never having to say youre sorry.
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There are a lot of roles in Shakespeare, basically. If I feel that the script is a movie, I would be interested in doing any role of Shakespeare's.
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It turned out that time doesn't heal the wound , but in its so merciful way , blunts the edges ever so slightly
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To be or not to be is [by William Shakespeare] beyond anything I can comprehend. I understand it on a superficial level, but the depth of it just boggles my mind. I think it's probably the greatest of all speeches ever written.
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Playing a character is an illusion, and I feel that when you know too much about a person, possibly part of that illusion is disrupted.
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At this point in my career, I don't have to deal with audition rejections. So I get my rejection from other things. My children can make me feel rejected. They can humble you pretty quick.
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I don't like what's going on in Iraq, naturally. I'm part of a large majority of people who don't, but I do not know the whole story. I do not believe what I see on television. I believe a percentage of it, so it's hard for me to discern. I don't like what it's doing to the world.
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What's this thing that gets between us and Shakespeare?
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It was a compromise. There was a sense that I could write my own memoirs, and Larry [Grobel] would help me down the line, or maybe not, maybe he was too close to me.
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