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I am more alive in the theater than anywhere else, but what I take into the theater I get from the streets.
Al Pacino
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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Take
Anywhere
Theater
Streets
Alive
Else
More quotes by Al Pacino
I used to think of myself as a comedian. I've always admired comedians. Their minds, the way in which they se the world is so striking, the way they juxtapose things, the way they can see humor in people. There's a liberation in that.
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Acting is hard work. At times, it's very energizing and enervating. It's childish. It's also responsible. It's illuminating, enriching, joyful, drab. It's bizarre, diabolical. It's exciting.
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I'm so shy now I wear sunglasses everywhere I go.
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The physical stamina [in Revolution]. I was just shocked by it. I didn't think I had it in me ever, and I wasn't terribly young when I did it. I was in my early forties. That was the first thing I was struck by, not by the acting, not by anything else, but by the physicality.
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Sometimes the only way you can get an audience is at an audition.
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I wouldn't be interested in [nowadays] television simply because I think it goes too fast. Except if something was maybe a play on television or some great television script.
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When you're reading some of the great plays, when you do what I call taking up with a writer, something happens.
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My weaknesses... I wish I could come up with something. I'd probably have the same pause if you asked me what my strengths are. Maybe they're the same thing.
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That's where humour lives for me. In the body. The Steve Martin kind of stuff or Jim Carrey, that's what I like. I've always felt that's what I would like to do.
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I like women who can cook. That's first. Love is very important, but you've got to have a friend first - you want to finally come to a point where you say that the women you're with is also your friend.
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I personally think if you're given four months instead of four weeks on a play, with the people who want to work that way, the play will invariably be different and stronger, and much more fulfilling and richer on all counts. There's no doubt in my mind about it.
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People are always asking me to do Shakespeare - at home, at colleges, on film locations, in restaurants. It's like playing a piece of music, getting all the notes. It's great therapy.
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It's not personal, it's strictly business
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To be or not to be is [by William Shakespeare] beyond anything I can comprehend. I understand it on a superficial level, but the depth of it just boggles my mind. I think it's probably the greatest of all speeches ever written.
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[Salomaybe] is my presentation, my vision of the world. Not so much to satisfy the audience at large.
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My best advice to any young person is, if you want kids, be careful who you have them with. That's my mantra.
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They say we die twice - once when the last breath leaves our body and once when the last person we know says our name.
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The actor becomes an emotional athlete. The process is painful - my personal life suffers.
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Chekhov was as important to me as anybody as a writer.
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All I am is what I'm going after.
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