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I am more alive in the theater than anywhere else, but what I take into the theater I get from the streets.

Al Pacino

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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Else
Take
Anywhere
Theater
Streets
Alive

More quotes by Al Pacino

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[Julie Marie Pacino]is a great ballplayer, which I wanted to be. She did make four films by the time she was 14 but we're not going to talk about that.
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Either I act or I die.
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That's where humour lives for me. In the body. The Steve Martin kind of stuff or Jim Carrey, that's what I like. I've always felt that's what I would like to do.
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I don't like what's going on in Iraq, naturally. I'm part of a large majority of people who don't, but I do not know the whole story. I do not believe what I see on television. I believe a percentage of it, so it's hard for me to discern. I don't like what it's doing to the world.
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Being the actors of the craft, the trade, one of the big things you do and you learn is about repeating. There is something to the repeats. I think that is part of what is healthy to young actors. Get out and learn something just through doing that, repeating.
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I was watching Revolution, and the things I did in that picture, holy smokes! I can't believe I did that, it's like another person. It's the thought of it, it's just appalling to me.
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If you get all tangled up, just tango on.
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Drinking and smoking grass were a part of my life as far back as I can remember.
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There has been a lot of self-doubt and unwelcome events in my life.
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I was never very happy with performing it didn't turn me on much.
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I never saw myself as a director. It's certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.
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You never open your mouth until you know what the shot is.
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People are always asking me to do Shakespeare - at home, at colleges, on film locations, in restaurants. It's like playing a piece of music, getting all the notes. It's great therapy.
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I come from the South Bronx - a true descendant of the melting pot. I grew up in a really mixed neighborhood it was a very integrated life.
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The interesting thing about this is I don't know what my vision [ in Salome the play and Salomaybe] is yet about. I'm sensing something and I'm going along with it. It reminds me of a painting, the way Jackson Pollack painted - Jackson Pollack, the great, great artist.
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I didn't go for the needle at all. I never cared for drugs, because I saw what they did to most people. I thought that was the end of the road.
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The difference between the actor and the painter is that the actor would buy somebody a knish in order to have them watch him act.
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It's never really that much fun for me to do movies anyway, because you - you know, you have to get up very early in the morning and you have to go in and you spend a lot of time waiting around.
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Forget the career, do the work. If you feel what you are doing is on line and you're going someplace and you have a vision and you stay with it, eventually things will happen.
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I want to be interesting in an interview just as much as I want to do well in a part.
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