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Our ability to manufacture fraud now exceeds our ability to detect it.
Al Pacino
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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
Ability
Reality
Truth
Exceeds
Detect
Manufacture
Exceed
Fraud
More quotes by Al Pacino
Actually, the person I related to was James Dean. I grew up with the Dean thing. Rebel Without A Cause had a very powerful effect on me.
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I haven't encouraged [Julia Marie Pacino] or discouraged her. I let her go her own way. I did say to her that I thought that she had a real gift, and it's a good idea to know that. It's always good to go with your gift.
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Any project that I find encouraging that isn't attached to a studio, I can go to them, which I definitely would. You have to take an interest in what you do.
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When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.
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[Ocean's Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids. So I've been doing everything that has to do with being next to them, close to them.
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The problem with me is, I guess, the way I express myself, you have to be with me 50 years before you can get a sense of what I'm talking about.
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Sometimes what we imagine and the world aren't different things. Sometimes they are the same exact thing.
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You need some insecurity if you're an actor. It keeps the pot boiling. I haven't yet started to think about retiring. I was shocked when I heard about Paul Newman retiring at age 82. Most actors just fade away like old soldiers.
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I went to Performing Arts because that was the only school that would accept me. My scholastic level was not very high.
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The reasons you have for doing a movie will vary with the way your life is going. There was a time when a made a some movies because I felt I needed to work. And I didn't think about the material as much. But sometimes I've thought about the material a lot and thought I was doing the right thing, and it didn't work out.
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I found that speaking live to people, young people, about what I liked and what had been happening to me was very good for me. I was quite overtaken by success and fame. I was one of those types who responded to it in a negative way. It was not easy.
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After looking at Salomaybe, I don't know who the hell the real me is. I think it's closest now to the real me because for one thing, I'm used to this.
Al Pacino
The difference between the actor and the painter is that the actor would buy somebody a knish in order to have them watch him act.
Al Pacino
Our life is looking forward or looking back, that's it. Where is the moment?
Al Pacino
I don't talk politics and I don't talk philosophy or anything like that, but if you look at my work, you might get an expression of me as a person.
Al Pacino
Man is a little bit better than his reputation, and a little bit worse
Al Pacino
I learned to wrestle, I learned defensive fighting at a young age, because when someone hit me, I would throw up and fall down.
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[Oscar Wilde's Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that's why I guess it's semi-autobiographical.
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I used to think of myself as a comedian. I've always admired comedians. Their minds, the way in which they se the world is so striking, the way they juxtapose things, the way they can see humor in people. There's a liberation in that.
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[Salomaybe] is my presentation, my vision of the world. Not so much to satisfy the audience at large.
Al Pacino