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You need some insecurity if you're an actor. It keeps the pot boiling. I haven't yet started to think about retiring. I was shocked when I heard about Paul Newman retiring at age 82. Most actors just fade away like old soldiers.
Al Pacino
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Al Pacino
Age: 84
Born: 1940
Born: April 25
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Manhattan borough
New York City
Alfredo James Pacino
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Soldiers
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Newman
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More quotes by Al Pacino
I think what you see [in Salome the play backstage] is an artist having this fit of temperament.
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The problem with me is, I guess, the way I express myself, you have to be with me 50 years before you can get a sense of what I'm talking about.
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My best advice to any young person is, if you want kids, be careful who you have them with. That's my mantra.
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My dad was in the army. World War II. He got his college education from the army. After World War II he became an insurance salesman. Really, I didn't know my dad very well. He and my mother split up after the war. I was raised by my maternal grandmother and grandfather, and by my mother.
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I had these little babies [my twins] and it gave me something so spectacular, such a feeling - I was so turned on and so excited by them that I wrote a poem. I had it on scraps of paper and the maid threw it out.
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Chekhov was as important to me as anybody as a writer.
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I want to be a great actor someday, and I've decided there's no use philosophizing the only way is to work at my craft.
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Great directors can understand the staging in such a way that can make a scene come alive. Others have a certain way of pacing the scene.
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I've had very deep relationships that lasted for long periods of time with people - you could almost call them marriages, even though I didn't marry. But it was costly.
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Freedom, baby, is never having to say youre sorry.
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Love goes through different stages. But it endures.
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I don't think actors should ever expect to get a role, because the disappointment is too great. You've got to think of things as an opportunity. An audition's an opportunity to have an audience.
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You don't get to know anybody in a movie until after it's over. You work less together in a film than you do onstage.
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People are always asking me to do Shakespeare - at home, at colleges, on film locations, in restaurants. It's like playing a piece of music, getting all the notes. It's great therapy.
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Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they're not used to? Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
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We live in a world where the more you're working, the more things you do. It's a workaday world.
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It wasn't until I got older that I realized acting was something I could really do.
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There are a couple of times I would've liked to have married. I think I made a mistake, especially once.
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If you can identify with people, you can empathize with people and therefore you understand things.
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Our ability to manufacture fraud now exceeds our ability to detect it.
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