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The camera is interested in what you are thinking as opposed to just what you are doing or saying.

Ajay Naidu

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Ajay Naidu
Age: 52
Born: 1972
Born: February 12
Actor
Film Actor
Television Actor
Voice Actor
Evanston
Illinois
Ajay Kalahastri Naidu
Thinking
Opposed
Camera
Cameras
Interested
Saying

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You have to work with what you are given, even in Shakespeare. we have our form and it is important that we free ourselves through it.
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I got heavily into the drum-and-bass scene, which is really wicked.
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I think that I have sold out sometimes.
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I had been working early in my life in films - since I was 11.
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I hear music as narrative.
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When you get to play with the big boys, your game improves drastically.
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America makes up its own mind about what it wants to see.
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It is important to make your own stuff. Even if you are not an actor, it is important to not stop involving yourself as a creative person.
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There is extraordinary similarities between the Midwest in America and Europe in that there is this sense of vast, open sky and loneliness and cold.
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I want to present interesting stories that don't qualify themselves just by virtue of their ethnographic type.
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Part of the work is determining through what instrument you are playing. Actors are physical, olympian storytellers and we should be able to create entire landscapes with nothing.
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It is important to keep your head up and follow what you believe is right.
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Acting school was summer camp, and I needed concentration camp. I had so many different ideas swirling between culture and how to tie things together.
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I knew I was happy when I was dancing.
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Rap is rhythm and poetry. Hip-hop is storytelling and poetry as well.
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The loneliness is when you pick up and move, even if you are not originally from that place, and you have some memories that you want to embrace. Having a life in transit, I feel like you are always looking out the back window.
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I like the theatre because you paint with broad strokes. To me the theatre is stretching its definition really far.
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I think that rap is narrative, when it's done right.
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We make a contract within ourselves as actors or directors or writers about how much of ourselves we let into projects. You can actually figure out before you work on something how much blood you will have to let emotionally.
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I applied to American Repertory School up at Harvard at got in.
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