Quote

We make a contract within ourselves as actors or directors or writers about how much of ourselves we let into projects. You can actually figure out before you work on something how much blood you will have to let emotionally.

Ajay Naidu

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Ajay Naidu
Age: 52
Born: 1972
Born: February 12
Actor
Film Actor
Television Actor
Voice Actor
Evanston
Illinois
Ajay Kalahastri Naidu
Something
Directors
Make
Figures
Blood
Contract
Within
Emotionally
Actually
Contracts
Actors
Figure
Work
Writers
Much
Projects

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I think that rap is narrative, when it's done right.
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I got heavily into the drum-and-bass scene, which is really wicked.
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I love films for the fact that it is like working under a microscope. It is sort of like a laboratory.
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I had been working early in my life in films - since I was 11.
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Rap is rhythm and poetry. Hip-hop is storytelling and poetry as well.
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Acting school was summer camp, and I needed concentration camp. I had so many different ideas swirling between culture and how to tie things together.
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It is important to make your own stuff. Even if you are not an actor, it is important to not stop involving yourself as a creative person.
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My first acting job happened by accident when I was really young. I was in fifth grade and my teacher saw an ad in the paper and took me to the audition after school and I got the part.
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Part of the work is determining through what instrument you are playing. Actors are physical, olympian storytellers and we should be able to create entire landscapes with nothing.
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When you get to play with the big boys, your game improves drastically.
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I want to present interesting stories that don't qualify themselves just by virtue of their ethnographic type.
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America makes up its own mind about what it wants to see.
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I think that I have sold out sometimes.
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There is extraordinary similarities between the Midwest in America and Europe in that there is this sense of vast, open sky and loneliness and cold.
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The loneliness is when you pick up and move, even if you are not originally from that place, and you have some memories that you want to embrace. Having a life in transit, I feel like you are always looking out the back window.
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In every character I play, I try to imbibe something. Every film is a learning process for me.
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I applied to American Repertory School up at Harvard at got in.
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You have to work with what you are given, even in Shakespeare. we have our form and it is important that we free ourselves through it.
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I knew I was happy when I was dancing.
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