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I got heavily into the drum-and-bass scene, which is really wicked.

Ajay Naidu

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Ajay Naidu
Age: 52
Born: 1972
Born: February 12
Actor
Film Actor
Television Actor
Voice Actor
Evanston
Illinois
Ajay Kalahastri Naidu
Bass
Wicked
Scene
Really
Drum
Heavily

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In every character I play, I try to imbibe something. Every film is a learning process for me.
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It is important to make your own stuff. Even if you are not an actor, it is important to not stop involving yourself as a creative person.
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I think that I have sold out sometimes.
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I applied to American Repertory School up at Harvard at got in.
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My family was very supportive of my acting. They didn't really have a choice because I got jobs acting before anyone could really say anything. It paid my way through college and helped my family out.
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The camera is interested in what you are thinking as opposed to just what you are doing or saying.
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I like the theatre because you paint with broad strokes. To me the theatre is stretching its definition really far.
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Rap is rhythm and poetry. Hip-hop is storytelling and poetry as well.
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I want to present interesting stories that don't qualify themselves just by virtue of their ethnographic type.
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I think that rap is narrative, when it's done right.
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It is important to keep your head up and follow what you believe is right.
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My first acting job happened by accident when I was really young. I was in fifth grade and my teacher saw an ad in the paper and took me to the audition after school and I got the part.
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The loneliness is when you pick up and move, even if you are not originally from that place, and you have some memories that you want to embrace. Having a life in transit, I feel like you are always looking out the back window.
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When you get to play with the big boys, your game improves drastically.
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America makes up its own mind about what it wants to see.
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Acting school was summer camp, and I needed concentration camp. I had so many different ideas swirling between culture and how to tie things together.
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I hear music as narrative.
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You have to work with what you are given, even in Shakespeare. we have our form and it is important that we free ourselves through it.
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I love films for the fact that it is like working under a microscope. It is sort of like a laboratory.
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We make a contract within ourselves as actors or directors or writers about how much of ourselves we let into projects. You can actually figure out before you work on something how much blood you will have to let emotionally.
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