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I have a 6-year-old, and his thing is to turn on Radio Disney in the car, and I get such an allergic reaction to listening to that music and the context into which it falls. I'm really working on him about that.
Aimee Mann
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Aimee Mann
Age: 64
Born: 1960
Born: August 9
Actor
Composer
Film Actor
Guitarist
Musician
Recording Artist
Singer
Singer-Songwriter
Television Actor
Richmond
Virginia
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Fall
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Music
Radio
Thing
Car
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Allergic
Really
Turn
Disney
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If your standards are low, you're going to stop pretty early on in the process.
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Telling what you feel, trying to talk about what's important to you, does not make you weaker.
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You know what, the drummer is my manager. He's busy. And I'm busy. I don't need the dough, though. But having said that, there's a limit to how much bad music I wanna play. I did it when I was young, and some of the music was OK, but it wasn't great.
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You drew a bird that was here, a kind of sweet chanticleer. But with a terrible fear that the cage couldn't tame
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One of the things I've really gotten past in the last couple of years is the idea of being made uncomfortable by the way things appear, rather than how things are. Clearly in this business you have to contend with a lot of that.
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Everybody kind of understands, Oh yeah you take drugs and it does something to your brain and then you can't stop. It's easier to describe that shame, that horrible feeling of not being able to control your own life.
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I probably would've kept slogging on that same chord change, because there's a tendency to have that happen. You get into the cadence in your mind, and it's hard to make the kind of left turn that you probably need to keep it really interesting.
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It's more important for me to have a good record with good music and be part of a movie that's good and where the music is used in a really great way. That's the important thing. The other stuff you want to say about it, I don't care.
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I think, to be happy is to be interested and engaged.
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The king of the jailhouse and the queen of the road think sharing the burden will lighten the load.
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I don't consider myself a great writer, but I would like to think that I can at least proof- read.
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There's a lot of music that sounds like it's literally computer-generated, totally divorced from a guy sitting down at an instrument.
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For me, there's a fine line between telling a story that's fictional with lots of details and then removing yourself too much from it, so it's bloodless, a little too fictional.
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People don't buy records anymore. I don't know how people can support themselves.
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But I can't confront the doubts I have. I can't admit that maybe the past was bad, and so, for the sake of momentum I'm condemning the future to death so it can match the past.
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In the '70s, everybody thought drugs were just good times. People didn't really know about drug addiction, or that such a thing existed. When I grew up in the '70s I thought you had to take drugs. It was almost like I didn't think you had a choice.
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I suppose I should be happy to be misread better be that than some of the other things I have become.
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Better take the keys and drive forever. Staying won't put these futures back together. All the perfect drugs and superheroes wouldn't be enough to bring me back to zero.
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When things are really great, it just means everything's in it's place.
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