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I have a 6-year-old, and his thing is to turn on Radio Disney in the car, and I get such an allergic reaction to listening to that music and the context into which it falls. I'm really working on him about that.
Aimee Mann
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Aimee Mann
Age: 64
Born: 1960
Born: August 9
Actor
Composer
Film Actor
Guitarist
Musician
Recording Artist
Singer
Singer-Songwriter
Television Actor
Richmond
Virginia
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Fall
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Radio
Thing
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Allergic
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Disney
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People don't buy records anymore. I don't know how people can support themselves.
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When things are really great, it just means everything's in it's place.
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For me, there's a fine line between telling a story that's fictional with lots of details and then removing yourself too much from it, so it's bloodless, a little too fictional.
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At a major label you can start to feel that you're working for them, and that any work you do, you're never going to see any benefit.
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Save me from the ranks of the freaks who suspect they can never love anyone.
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I thought everything was interesting. I wanted to go scuba diving and I wanted to learn how to surf. Because I grew up in the 60s girls were not allowed to do anything. As I've gotten older and realized that women can do things like that I thought, 'Why not? Now's the time.'
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Something gets lost when you translate. It's hard to keep straight. Perspective is every thing.
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The king of the jailhouse and the queen of the road think sharing the burden will lighten the load.
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In the '70s, everybody thought drugs were just good times. People didn't really know about drug addiction, or that such a thing existed. When I grew up in the '70s I thought you had to take drugs. It was almost like I didn't think you had a choice.
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It's in the dictionary. And when I find what it is, I'll write it down in case it comes up again, I'll be certain to avoid it.
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I probably would've kept slogging on that same chord change, because there's a tendency to have that happen. You get into the cadence in your mind, and it's hard to make the kind of left turn that you probably need to keep it really interesting.
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But I can't confront the doubts I have. I can't admit that maybe the past was bad, and so, for the sake of momentum I'm condemning the future to death so it can match the past.
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You know what, the drummer is my manager. He's busy. And I'm busy. I don't need the dough, though. But having said that, there's a limit to how much bad music I wanna play. I did it when I was young, and some of the music was OK, but it wasn't great.
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I don't believe in asking people to spend $15 on something they've never heard before. That's just unreasonable.
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It's more important for me to have a good record with good music and be part of a movie that's good and where the music is used in a really great way. That's the important thing. The other stuff you want to say about it, I don't care.
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Knowing record labels and knowing the kinds of things they would object to-they just object to everything that's interesting.
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What's interesting to me is drama and conflict. Things aren't interesting without conflict and resolution of conflict - or striving towards a resolutions of conflict.
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