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You drew a bird that was here, a kind of sweet chanticleer. But with a terrible fear that the cage couldn't tame
Aimee Mann
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Aimee Mann
Age: 64
Born: 1960
Born: August 9
Actor
Composer
Film Actor
Guitarist
Musician
Recording Artist
Singer
Singer-Songwriter
Television Actor
Richmond
Virginia
Sweet
Terrible
Fear
Tame
Kind
Cage
Drew
Cages
Bird
Couldn
More quotes by Aimee Mann
But I can't confront the doubts I have. I can't admit that maybe the past was bad, and so, for the sake of momentum I'm condemning the future to death so it can match the past.
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Better take the keys and drive forever. Staying won't put these futures back together. All the perfect drugs and superheroes wouldn't be enough to bring me back to zero.
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I'm really into boxing. I go to a gym and I'm friends with a trainer who's a pretty famous boxing trainer and I train with him.
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If your standards are low, you're going to stop pretty early on in the process.
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The knock-out punch is always the one you never see coming.
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Save me from the ranks of the freaks who suspect they can never love anyone.
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I might be stupid to think love is love, but I do.
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I'm selling more records on my own than I did on major labels.
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What's interesting to me is drama and conflict. Things aren't interesting without conflict and resolution of conflict - or striving towards a resolutions of conflict.
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Everyone's just extracting meaning and feeling and emotion from almost every aspect of music, and I think that for me, it's a huge antidote to that to have a concept album.
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All that I need now is someone with the brains and the know-how to tell me what I want.
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I probably would've kept slogging on that same chord change, because there's a tendency to have that happen. You get into the cadence in your mind, and it's hard to make the kind of left turn that you probably need to keep it really interesting.
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It's more important for me to have a good record with good music and be part of a movie that's good and where the music is used in a really great way. That's the important thing. The other stuff you want to say about it, I don't care.
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I certainly understand that we're all trying to make a living, but I'm not thinking about that when I'm making it. And if that's your sole motivation, it's going to reflect that narcissistic greed and you're going to hear it in the music.
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At a major label you can start to feel that you're working for them, and that any work you do, you're never going to see any benefit.
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Something gets lost when you translate. It's hard to keep straight. Perspective is every thing.
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I don't consider myself a great writer, but I would like to think that I can at least proof- read.
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If you're an artist trying to put out your own record on your own label, it's hard to get a distribution deal because no one wants to sign a deal with one entity. They want to sign distribution deals with labels, who have lots of product, lots of artists.
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One of the things I've really gotten past in the last couple of years is the idea of being made uncomfortable by the way things appear, rather than how things are. Clearly in this business you have to contend with a lot of that.
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I thought everything was interesting. I wanted to go scuba diving and I wanted to learn how to surf. Because I grew up in the 60s girls were not allowed to do anything. As I've gotten older and realized that women can do things like that I thought, 'Why not? Now's the time.'
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