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Nightly you retrace your steps again to return to the scene of the crime. It's uncanny how you hover in the air of the wreckage that you left behind.
Aimee Mann
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Aimee Mann
Age: 64
Born: 1960
Born: August 9
Actor
Composer
Film Actor
Guitarist
Musician
Recording Artist
Singer
Singer-Songwriter
Television Actor
Richmond
Virginia
Air
Scene
Crime
Behinds
Retrace
Return
Hover
Behind
Nightly
Steps
Wreckage
Left
Uncanny
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When things are really great, it just means everything's in it's place.
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I might be stupid to think love is love, but I do.
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For me, there's a fine line between telling a story that's fictional with lots of details and then removing yourself too much from it, so it's bloodless, a little too fictional.
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I suppose I should be happy to be misread better be that than some of the other things I have become.
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I'm really into boxing. I go to a gym and I'm friends with a trainer who's a pretty famous boxing trainer and I train with him.
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The king of the jailhouse and the queen of the road think sharing the burden will lighten the load.
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It's not easy in this phosphorescent gloom telling waking dreams apart anyhow.
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Everybody kind of understands, Oh yeah you take drugs and it does something to your brain and then you can't stop. It's easier to describe that shame, that horrible feeling of not being able to control your own life.
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It's in the dictionary. And when I find what it is, I'll write it down in case it comes up again, I'll be certain to avoid it.
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Everyone's just extracting meaning and feeling and emotion from almost every aspect of music, and I think that for me, it's a huge antidote to that to have a concept album.
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I certainly understand that we're all trying to make a living, but I'm not thinking about that when I'm making it. And if that's your sole motivation, it's going to reflect that narcissistic greed and you're going to hear it in the music.
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But I can't confront the doubts I have. I can't admit that maybe the past was bad, and so, for the sake of momentum I'm condemning the future to death so it can match the past.
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One of the things I've really gotten past in the last couple of years is the idea of being made uncomfortable by the way things appear, rather than how things are. Clearly in this business you have to contend with a lot of that.
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I'm selling more records on my own than I did on major labels.
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I probably would've kept slogging on that same chord change, because there's a tendency to have that happen. You get into the cadence in your mind, and it's hard to make the kind of left turn that you probably need to keep it really interesting.
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If you're an artist trying to put out your own record on your own label, it's hard to get a distribution deal because no one wants to sign a deal with one entity. They want to sign distribution deals with labels, who have lots of product, lots of artists.
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Telling what you feel, trying to talk about what's important to you, does not make you weaker.
Aimee Mann
If your standards are low, you're going to stop pretty early on in the process.
Aimee Mann
What's interesting to me is drama and conflict. Things aren't interesting without conflict and resolution of conflict - or striving towards a resolutions of conflict.
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At a major label you can start to feel that you're working for them, and that any work you do, you're never going to see any benefit.
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